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Dae Bogan’s Introduction to Royalty Forensics Workshop Now FREE On YouTube

Today, I made available for FREE the recording of my 2019 workshop on music royalties forensics:

Introduction to Music Royalties Forensics – A Beginner’s Workshop for Uncovering Unpaid Music Royalties in North America (USA and CAN)

Make sure to expand the video description to see links to related resources, such as my free ebook “The DIY Musician’s Starter Guide to Being Your Own Label and Publisher” and a list of US and Canada “black boxes” of unclaimed royalties, and much more.

Watch Here: https://youtu.be/yDYJbFPuO68?si=BPRBrPd8ja431VuS.

Infinite Licensing in Gen-AI Music Ecosystems will Create Fairer Music Value Calculations for Artists and Rightsholders

Dae Bogan excerpt from the webinar “The Permission Layer for AI Music: Consent, Attribution, and Getting Artists Paid” hosted by Abbi Press for The Double Helix on November 12, 2025

Infinite licensing (IL) will be the most effective and fair system of music rights licensing and remuneration in the gen-AI music era.

I believe we will see clear elements of it by 2030.

I appreciate Abbi Press’s perspective on the human element of music licensing. As a professional in the licensing space, she raises a number of important issues that would have to be acknowledged—then solved? ignored? or avoided?—for any compelling infinite licensing (IL) system to become widely adopted.

This is why I predict that we will not see a system close to my vision of IL until around 2030.

I believe that this is an important conversation, because at the core of it, the question is “Do current licensing frameworks benefit music creators?”

Even so-called ethically-sourced and ethically-trained AI music ecosystems do not fairly compensate the music creators whose music is contributing to gen-AI music.

IL will enable dynamic market-value calculations that smart contracts, opt-ins, royalty pools, and settlements cannot and have never fully captured.

Also watch:

Dae Bogan excerpt on the panel “Revolutionizing Rights Management for Artists“ at ASCAP Expo 2018

[Video] Artist Managers Connect presents AMA About The Mechanical Licensing Collective with Dae Bogan

Dae Bogan conducts a Facebook Live “Ask Me Anything” regarding The Mechanical Licensing Collective in the Artist Managers Connect Facebook group on January 20th, 2021. Watch

Is the blanket license royalty rate determined after the majors have negotiated their license with the DSPs?

Does registration with the MLC supersede registrations with HFA and MRI?

If a song was previously licensed under the voluntary license, does it now have a secondary revenue to coming from the blanket license, or do you have to choose one path over the other?

Will the MLC establish reciprocal mechanical collections with foreign mechanical CMOs such as MCPS and AMCOS?

Watch me answer these questions and many more from artist managers in my “Ask Me Anything About The Mechanical Licensing Collective”

Watch: https://youtu.be/Kz43LyYXMUI

[Video] Songtrust Presents ‘Let’s Talk Music Publishing: The Mechanical Licensing Collective (The MLC)’ With Dae Bogan

Watch the recording of Songtrust’s webinar.

Description: With the beginning of the new year, as the initiation of The Mechanical Licensing Collective (The MLC) begins, songwriters have a lot of questions about how this will affect them in 2021 and beyond. Join the Songtrust team, along with special guest Dae Bogan, Head of Third Party Partnerships at The MLC, to discuss everything you need to know about The MLC and their relationship to Songtrust.

[Podcast] Creative Innovators Podcast

In this podcast with Gigi Louisa Johnson, I discuss some of the key events in my youth and early adulthood that laid the foundation for my adventures as a serial entrepreneur and music rights professional.

Happy New Year! To kick off 2021, please enjoy our free online creative career courses at https://NextCareer.me AND enjoy this week’s Creative Innovators podcast with the amazing Dae Bogan. Link to listen: https://lnkd.in/gequU5B

Dae Bogan shares how he sees solutions and “warps” them into business ideas — which is both a blessing and a curse. He began with selling cakes in middle school and organizing bus tours in high school from Cleveland, OH to New York. From his early history in acting, singing, and creating and producing events, he moved into a long series of start-ups (including putting gogo dancers in store windows) before moving into various endeavors in music tech. Dae has started and sold a variety of cloud-based ventures as well as mentored founders of other startups. Dae shares how he now is bringing those diverse skills to bear as head of Third-Party Partnerships with The Music Licensing Collective. The MLC works with music publishers and artists to collect and distribute their streaming royalties.

Listen here.