Archive | Media RSS for this section

Why More Pop Songwriters Are Stepping Into the Spotlight

I shared my thoughts on the status of income-earning for songwriters in today’s streaming landscape in this piece by Elias Leight for Rolling Stone:

“But regardless of whether you’re an upper-echelon songwriter living large or a middle-class one struggling to pay rent, the new system encourages writers to ‘think creatively about how to get more income streams,’ says Dae Bogan, Founder and CEO of the music-rights administration platform TuneRegistry.

If songwriters are indeed feeling the crunch, pushing for artist credit when possible is a natural response – it gives them access to money on the master’s side of recordings. Historically, “we get paid on publishing, the the words, the lyrics, the melody, the staff music written on a page,” explains Watt. “The master is the physical recording: Justin Bieber’s voice and DJ Snake’s production on ‘Let Me Love You.’ The master is where the money is. When a song is sold to a label, they buy the master. If the label gives that to an act, they make sure they own part of that master, otherwise in the streaming world, they’re not making any money.”

Now, Bogan says, “songwriters can say, I write hits; this is gonna be a hit for you; I want a piece of the master’s side.” That’s especially true if hit writers are in a position of leverage relative to the singer – “if it’s a young artist or an artist who’s been stagnant.”

This is in some sense a form of poetic justice for writers. “I used to manage songwriters, and we’d write for a number of artists who would demand that they get 10 percent of the publishing even though they didn’t write a single lyric,” Bogan says. “For decades, artists would dip into publishing to diversify their income stream. So now it’s like, let’s take that model and flip it on its head.”

Read the full article: https://www.rollingstone.com/music/music-features/benny-blanco-eastside-pop-songwriter-credit-711061/

[Photos] ASCAP “I Create Music” Expo

I had a wonderful time speaking at this year’s ASCAP “I Create Music Expo”.

2018+ASCAP+Create+Music+EXPO+Day+3+DZV624NCT-Pl

May 8, 2018 – Source: Maury Phillips/Getty Images North America via Zimbio

2018+ASCAP+Create+Music+EXPO+Day+3+h8wM5cv_XSml

May 8, 2018 – Source: Maury Phillips/Getty Images North America via Zimbio

2018+ASCAP+Create+Music+EXPO+Day+3+c1FBRfFD24Zl

May 8, 2018 – Source: Maury Phillips/Getty Images North America via Zimbio

2018+ASCAP+Create+Music+EXPO+Day+3+S-e-wF1Lyd0l

May 8, 2018 – Source: Maury Phillips/Getty Images North America via Zimbio

Dennis+Dreith+Dae+Bogan+2018+ASCAP+Create+aLe2YpVW1-cl

May 6, 2018 – Source: Alberto E. Rodriguez/Getty Images North America via Zimbio

Dennis+Dreith+Dae+Bogan+2018+ASCAP+Create+03qlkhuDyl_l

May 6, 2018 – Source: Alberto E. Rodriguez/Getty Images North America via Zimbio

Congress Is Giving Musicians First Chance of Fair Pay in Decades


“‘The MMA gives a digital service like Spotify or Amazon a more convenient way of licensing songs,’ Dae Bogan, founder of music management platform TuneRegistry and a longtime music rights advocate and executive, explains. ‘And it opens a potential windfall of income to legacy artists who were left out of the digital boom.’ But Bogan adds that the legislation doesn’t come close to fixing all, or even most, of the problems in music royalties for labels, publishers and musicians; the simplified processes just make it more likely they’ll get the money they’re due.” via RollingStone

Read the full piece here: https://www.rollingstone.com/music/news/congress-is-giving-musicians-first-chance-of-fair-pay-in-decades-w520301

[Podcast] “How Tech Can Save The Music Industry” Panel Recording From SXSW 2018

SXSW 2018

I had the pleasure of participating on the panel “How Tech Can Save The Music Industry” at SXSW 2018 with Benji Rogers (Pledge Music & dotBlockchain), Jason Robert (HelloSugoi), and moderated by Eron Bucciarelli (Soundstr).

The music industry is in dire need of change not only to thrive, but survive. Streaming, pirating and the secondary ticket market have dealt serious blows to our industry’s major revenue streams, but technology can be our savior. Join experts from the royalty, rights, ticketing and metadata blockchain sectors to learn not only how tech can provide short-term solutions, but also build a more sustainable industry. Join us to learn how tech can save the music industry.

[Podcast] Copyright Clearance Center Adds Recording Of “View From The Top: The Future Of Machine-To-Machine Rights Management” Panel Discussion From RightsTech Summit 2017 To Its Beyond The Book Podcast

rightstech summit

“View From The Top: The Future Of Machine-To-Machine Rights Management” panel at RightsTech Summit in New York

rightstech summit

Left to Right: Dae Bogan (CEO, TuneRegistry), Benji Rogers (CEO, dotBlockchain Music), Michael S. Simon (President of Rumblefish & CEO of Harry Fox Agency), Michael Shanley (Vice President of IT Business Development, Music Reports)

Machine-to-machine communication is the ideal scenario if we want to enable on a global scale, with as little friction as possible and at a reasonable cost, the licensing of works and the payment of royalties to rightsholders.  That at least is the stated premise for a recent discussion at the annual RightsTech Summit conference.

But how far have we come?  How close are we to achieving a digitized business environment for rights and royalties that is as fully realized as we see today in media distribution and consumption? Until code entirely does away with contracts will human beings will continue to add a value that no machine ever can?

“I think all of this starts with a human being. No matter what technology we apply to these systems, if a person doesn’t know how to interact or create the data that they need to disseminate, it’s just not going to get there,” said Michael Shanley of Music Reports. Technology evolves all the time, and I think we’re getting to great places in technology.  But education and information is, I think, paramount.”

Panelists for the session moderated by CCC’s Chris Kenneally included Dae Bogan co-founder & CEO of TuneRegistry, a music and rights metadata management platform; Benji Rogers, a British-born, New York-based entrepreneur, who co-founded the Dot Blockchain Music Project, an attempt to create a de-centralized global registry of music rights using blockchain technology; Michael S. Simon, President of Rumblefish, a world leader in music micro-licensing and YouTube monetization and also CEO of the Harry Fox Agency LLC, the nation’s leading provider of rights management, licensing and royalty services for the music industry; and Michael Shanley, Vice President of IT Business Development at Music Reports, developers of proprietary databases and software applications that facilitate music rights administration.

Listen here.

podcast

%d bloggers like this: