Photos: Unclaimed Royalties Study Kickoff Symposium at The Library of Congress
Last week, I joined dozens of music industry experts to discuss important topics related to the operations of the forthcoming Mechanical Licensing Collective at the U.S. Copyright Office’s Unclaimed Royalties Study Kickoff Symposium at The Library of Congress in Washington, D.C.
Dae Bogan Named A Billboard’s 2019 Digital Power Player
I am honored to announce that I have been named a Billboard’s 2019 Digital Power Players for my work in empowering thousands of independent music creators with the tools and resources to self-administer their music copyrights and unlock millions of dollars in royalties all while retaining 100% of their copyrights and 100% of their royalties.
In two weeks, I will be joining fellow music industry executives and experts at the United States Library of Congress in Washington, D.C. to speak at the US Copyright Office’s Symposium for Unclaimed Royalties Study in advance of the launch of the government-sanctioned Mechanical Licensing Collective, which will administer music royalties for the global songwriter community when their songs are streamed in the United States. I am charged with helping the government frame its messaging, outreach and communications strategy to the thousands of songwriters who are often left out of the conversations. I can’t wait to create a seat at the table for them — for the indies!
You can view the entire Billboard 2019 Digital Power Players list in the November 16 issue of the printed publication and online here: https://www.billboard.com/articles/business/8543390/2019-digital-power-players-list
Dae Bogan, Along With Marcus Cobb, Interviewed By Music Business Association
Music payment and workflow management startup Jammber has developed a series of mobile apps that helps artists eliminate guesswork from the process of recording music ownership, allowing them to focus on doing what they love: writing music. Last month, Jammber announced that it had acquired TuneRegistry, a move that would establish Jammber as a full-service solution for creatives to both report music ownership and manage rights administration. We sat down with Jammber CEO Marcus Cobb and the company’s newly appointed SVP of Global Music Rights, TuneRegistry co-founder and CEO Dae Bogan, to discuss the acquisition and what it means for both the future of the company and the industry.
Music Biz: Congratulations on the exciting acquisition! What inspired this move to unite Jammber and TuneRegistry’s offerings?
DB: Thank you! My co-founders, Kara McGehee and Shane Zilinskas, and I have been actively looking to bring our music rights administration platform into an environment where our strength in works registrations, copyright research, and managing relationships with music rights organizations could be complementary to a broader suite of services aimed to empower DIY musicians and small to medium sized rights-holders. We’ve been big fans of Jammber for several years now and recently Jammber became an Enterprise client of TuneRegistry. We took that opportunity to learn more about Marcus’ long-term vision for Jammber and all parties realized that our visions were quite aligned, so why not our products!
MC: There are three key steps to getting paid for your music: keeping track of the songs you work on and everyone you collaborate with; registering those songs, collaborations and ownership amounts; and finally collecting payment. TuneRegistry has spent the last five years perfecting the registration process with a focus on allowing publishers, distributors and creatives to easily register their songs across North America. By adding that service to the Jammber suite we’re able to bring payments closer to the creative process which in turn makes them more accurate and faster. That is the holy grail of music metadata and has the power to change so many lives.
Music Biz: How do creatives stand to benefit from adding TuneRegistry’s skillset to Jammber’s DIY platform?
DB: What Jammber does well is to get in at the onset of the creative process to help creators to start capturing the necessary metadata that would be later required to properly protect and administer rights. Jammber is there early enough to encourage creators to think about the ownership splits and rights surrounding their musical project. What TuneRegistry does well is to simplify and streamline the rights administration process. It is a natural hand-off from Jammber to TuneRegistry that we’re working to make as seamless as possible in the creation-to-administration workflow.
MC: Exactly. It’s about simplifying the complexities of getting paid and credit in this industry. Dae is a foremost expert in song registrations and administration. There are splits apps and song registration platforms and payment platforms that already exist. But the only way to really make it as simple as possible is to bring everything together into a seamless experience for creatives. In order to make something simple you have to understand the complexities enough to know what can be taken away or changed. Having the TR team on board expedites our learning process.
Read the full interview here.
[Podcast] Dae Bogan Appears On Music Tectonics To Talk About Los Angeles’ Music Tech Scene
I was recently invited by host Dmitri Vietze to appear on his new podcast Music Tectonics for the episode “The Shifting LA Music Tech Scene.” It was a fun discussion about the various ecosystems and hubs of innovation, creation and thought-leadership that is taking place in Los Angeles right now.
The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. The podcast includes news roundups, interviews, and more.
Listen to the episode here or on Spotify, Stitcher, or Google.
WHY FAKE BEYONCÉ MUSIC ON SPOTIFY AND APPLE MUSIC HIGHLIGHTS STREAMING’S WIDER LICENSING TROUBLES
I shared my thoughts on the Beyonce fake album controversy in this piece by Amy X. Wang for Music Business Worldwide.
The various checks that are supposed to be in place are not working or being followed,” says Dae Bogan, a music licensing expert who founded TuneRegistry, a management platform that deals with song metadata.
It’s concerning not only that fake albums are passing, but that they’re presumably affecting the overall value of other streams that day. Because there’s no per-stream rate in royalties — royalties are based on cumulative performance of total music releases — people could assume Beyoncé has released a new project, flock to her account and dramatically affect the royalties for other people’s streams.
Read the full story here: https://www.musicbusinessworldwide.com/why-fake-beyonce-music-on-spotify-and-apple-music-highlights-streamings-wider-licensing-troubles/
[Podcast] Dae Bogan Reflects On His Career Journey On This Episode Of “Hey, How’d You Get That Music Job???”
I was invited to the podcast “Hey, How’d You Get That Music Job???” to talk about my journey into the music industry and growth as a music industry professional. This was quite the vulnerable discussion as I explored my past as far back as a child aspiring artist, my YOLO move to Los Angeles as a homeless teen, and the founding of my first music companies as a senior at a UCLA. If hearing how I navigated hurdles and barriers to entry to become a 3x exited music tech entrepreneur and Billboard recognized music business educator, have a listen to this podcast episode.