Hola desde Medellín, Colombia / Hello from Medellín, Colombia
¡Hola desde Medellín, Colombia! 🇨🇴
Hello from Medellín, Colombia! 🇨🇴
I am excited to announce that effective May 1st, on the 3-year work anniversary of my role at The Mechanical Licensing Collective (The MLC), I am now based out of Medellín, Colombia.
In my role as Head of Third-Party Partnerships, I will continue to develop and spearhead culture, innovation, and service oriented initiatives and partnerships at The MLC while also expanding our outreach efforts through grassroots approaches and partnerships on the ground in Latin America.
After spending 18 months visiting over 15 countries and exploring local music communities around the world, including seeing the first payee of royalties discovered through The MLC’s DURP (durp.themlc.com) being an independent rapper in Australia, I am excited to begin this next chapter in Latin America.
📣 Open Call to People & Organizations in Latin America 📣
In the coming months, I aim to further The MLC’s mission by partnering with music industry organizations, Latin music industry culture ambassadors, and regional music industry technology companies to reach, engage, and educate music creators in Latin America about their rights and entitlements to U.S. digital audio mechanical royalties.
I’ve already begun conversations with music industry professionals, music creators, and various organizations and companies, but I’m looking forward to additional introductions.
Contact me or tag someone to get the convos started!
About The MLC in 60 Seconds – https://youtu.be/qQx1j7YNiqM
Que es El MLC en 60 Segundos – https://youtu.be/ShRtT_qbZ2I
To learn more about The MLC in Spanish, visit http://www.elmlc.com (for English, visit http://www.themlc.com).
The MLC to Celebrate Black Music Month with ‘For The Culture’ One-Day Summit in Nashville
June is BLACK MUSIC MONTH! I am thrilled to announce something I’ve been developing for months now:
The Mechanical Licensing Collective and Nashville Music Equality presents For The Culture: Empowering Black Music Creators to Achieve Beyond Reach
🗓 Tuesday, June 21st
⏰ 10am to 6pm
📍 The Mechanical Licensing Collective (Nashville)
Join us for this one-day summit celebrating the evolution of Black Music and its unique and ever-growing impact on the music industry. The event will feature panels designed specifically for Black music creators that both explore creative business strategies and examine the overall royalty landscape, networking opportunities for attendees and a host of live music performances.
10:00am – Check-In
10:30am-11:00am – Opening Discussion: “How Did We Get Here? A Coffee Conversation on the Evolution of Black Music” – The day will kick-off with a conversation to set the tone for the events ahead. Grab a cup of coffee and sit in as three music industry executives discuss the influence of African Americans on popular music. What’s in a genre? Looking to the evolution from Ragtime > Blues > Jazz > R&B > Rock & Roll > Hip-Hop; the commercialization of Black music and the exploitation of Black artists; and more.
• Dae Bogan (Moderator) – Head of Third-Party Partnerships, The Mechanical Licensing Collective and Billboard Digital Power Player
• Brennen Boose – Senior Manager of Marketing and Communications National Museum of African American Music
• Shannon Sanders – Executive Director of Creative, BMI Nashville and 3X GRAMMY Award-Winning Producer
11:15am-12:15pm – “Breaking Through the Noise: Creative Business Strategies for Black Music Creators”
• Shannon Sanders (Moderator) – Executive Director of Creative, BMI Nashville and 3X GRAMMY Award-Winning Producer
• Derek Minor, Grammy Award-winning artist and producer. Co-Founder of We Own Now as well as hip-hop record label Reflection Music Group (RMG)
• Mimi McCarley, Founder of Collab Music Network & Co-Founder of Nashville is Not Just Country Music and We Own Now
12:30pm-1:30pm – “Black Dollars: Unlocking U.S. Digital Music Royalties for Black Music Creators” – Be prepared to take notes and ask questions as this informative panel of music business experts dive into the fundamentals (copyright ownership and publishing), royalty streams (interactive, non-interactive, downloads), post-MMA era rights and entitlements, songwriter challenges, Digital Music Royalties Landscape, and more.
• Dae Bogan (Moderator) – Head of Third-Party Partnerships, The Mechanical Licensing Collective and Billboard Digital Power Player 2019
• Alandis Brassel – Entertainment Attorney, Manager, Assistant Professor of Music Business – University of Memphis
• Cheryl Potts – CEO, Cleerkut Royalty
• George Monger – CEO, Connect Music
1:30pm – 2:30pm – Networking Lunch sponsored by BMI Nashville
2:30pm-4:30pm – The Black Opry Experience – A conversation with the founder of Black Opry, artist conversations, and acoustic performances. Hosted by Gina Miller (SVP & General Manager, MNRK Music) and Kortney Toney (Marketing, Inclusion & Outreach Manager, Naxos of America)
4:30pm-6pm – Closing Reception sponsored by The MLC
Members of The MLC can learn more and reserve your spot at http://www.themlc.com/fortheculture
Dae Bogan To Join Other Music Industry Experts At US Copyright Office Symposium On Unclaimed Royalties Study in Washington, D.C.
I am honored to announce that on December 6th, three weeks from today, I will be representing the US independent music creators community at a symposium in Washington, D.C. at the The Library of Congress.
A few weeks ago, I was invited by the newly appointed Copyright Royalty Judge, Steve Ruwe, to speak at the Copyright Office’s symposium on unclaimed royalties at The Library of Congress. As a CRJ, Mr. Ruwe is among just three judges who are responsible for setting the royalty rates that all songwriters in the world are paid for the use of their songs in the United States.
Last year, my 2016/2017 research titled “The State of Unclaimed Royalties and Music Licenses in the United States,” — research that led me to founding the world’s first search engine of unclaimed music royalties and licenses and a gateway to initiate claims, RoyaltyClaim (acquired by HAAWK Inc.) — was referenced, and I was personally consulted, by the United States Congressional Budget Office during its analysis of the economic impact of the then-current bill, Music Modernization Act. That bill became law in October 2018 and is now known as the Orrin G. Hatch–Bob Goodlatte Music Modernization Act 2018 (MMA or Music Modernization Act for short).
I have been fighting to ensure that independent and unsigned self-published songwriters are recognized, empowered, and represented in the US music industry for over a decade now. My first break-through was conceptualizing and co-founding TuneRegistry, which enables self-published songwriters to administer their catalog and unlock performance and mechanical royalties while keeping 100% of their copyrights and 100% of their royalties. TuneRegistry has helped thousands of self-published lyricists, composers, producers, and singer-songwriters protect their copyrights and unlock hundreds of thousands, if not millions, of dollars in unpaid and current royalties as well as enter into direct licensing deals with digital music services and social media platforms.
I look forward to discussing how the Copyright Office will develop outreach and messaging strategies to reach and engage self-published music creators and I hope to ensure that these creators continue to have a voice in the room, if not a SEAT AT THE TABLE.
US Copyright Office Announcement: https://www.copyright.gov/newsnet/2019/784.html
Dae Bogan To Speak At A3C Conference
I look forward to joining Marcus Cobb at this year’s A3C Conference to present “Ownership & Song Registration in the Palm of Your Hand” on Saturday, October 12th, at 2:30pm.
Presentation Description: In this digital age of music, songs have the ability to go from conception to the public in the blink of an eye. Within this new age, it has never been as vital to establish ownership and collect metadata as it is today. In short, your money depends on it! Learn how Jammber’s game-changing technology puts ownership and song registration in the palm of your hand.
***Earlier this month, Jammber announced its acquisition of TuneRegistry. The story was covered in Music Business Worldwide, Billboard, Music Connection, Digital Music News, Hypebot, and others.***
Dae Bogan To Moderate Panel On Royalty Payments At Music Tectonics Conference
As music is more fluid across listening services, social music apps, and countries, royalties are more complex than ever. At Music Tectonics Conferece, experts from HFA, SynchTank, and Hyperwallet will unpack challenges and solutions, moderated by Dae Bogan, SVP of Global Music Rights at Jammber / TuneRegistry. Learn more at http://www.musictectonics.com
Fall Upcoming Music Industry Conferences and Networking in Greater Los Angeles
- 9/10/2019 – The California Copyright Conference Annual Music Legal Eagles Night
- *9/12/2019 – Music Finance Forum
- 9/17/2019 – Tech and Music
- 9/19/2019 – Amplifying Music on the Westside
- 9/23-26/2019 – Production Music Association Conference
- 9/26/2019 – SoCal Music Industry Professionals x Artist Managers Connect’s Music Industry Happy Hour 15th Edition
- *10/29/2019 – Music Tectonics
- 10/30/2019 – A2IM SynchUp (A2IM membership required)
Upcoming Music Industry Events