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May 31, 2023  

Dae Bogan to Conduct Workshop ‘From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop’

I am thrilled to announce the first of a series of in-person music rights and royalties workshops that I will be conducting in Nashville, Miami, and New York this year:

From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop

🗓️ June 22nd • 4pm-6pm
📍 The Mechanical Licensing Collective in Nashville, TN
🎫 Free with Registration

Description:

“From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop” is an interactive workshop specifically designed for aspiring Hip-Hop and R&B music creators.

Presented by The MLC and Nashville is Not Just Country Music and led by Dae Bogan, Head of Third-Party Partnerships at The MLC, the workshop will take creators through a crash course demystifying the intricate world of music rights, income entitlements, publishing administration and the distribution of U.S. digital music royalties.

Through a series of individual and group simulations, participants will delve into various facets of the industry including contribution and credit tracking, negotiation of splits, the impact of samples on copyrights and royalties, work registrations and the process of claiming royalty shares.

Participants will gain a deeper understanding and appreciation of how song and recording contributions translate into royalty payments from The MLC and other organizations.

The workshop will take place at The MLC’s office in Nashville on June 22 from 4 p.m. to 6 p.m. CT. Tune in by registering at https://www.eventbrite.com/e/the-mlc-ninjcm-present-from-beat-to-bank-workshop-tickets-637622174087

May 2, 2023  

Hola desde Medellín, Colombia / Hello from Medellín, Colombia

¡Hola desde Medellín, Colombia! 🇨🇴
Hello from Medellín, Colombia! 🇨🇴

I am excited to announce that effective May 1st, on the 3-year work anniversary of my role at The Mechanical Licensing Collective (The MLC), I am now based out of Medellín, Colombia.

In my role as Head of Third-Party Partnerships, I will continue to develop and spearhead culture, innovation, and service oriented initiatives and partnerships at The MLC while also expanding our outreach efforts through grassroots approaches and partnerships on the ground in Latin America.

After spending 18 months visiting over 15 countries and exploring local music communities around the world, including seeing the first payee of royalties discovered through The MLC’s DURP (durp.themlc.com) being an independent rapper in Australia, I am excited to begin this next chapter in Latin America.

📣 Open Call to People & Organizations in Latin America 📣

In the coming months, I aim to further The MLC’s mission by partnering with music industry organizations, Latin music industry culture ambassadors, and regional music industry technology companies to reach, engage, and educate music creators in Latin America about their rights and entitlements to U.S. digital audio mechanical royalties.

I’ve already begun conversations with music industry professionals, music creators, and various organizations and companies, but I’m looking forward to additional introductions.

Contact me or tag someone to get the convos started!

About The MLC in 60 Seconds – https://youtu.be/qQx1j7YNiqM

Que es El MLC en 60 Segundos – https://youtu.be/ShRtT_qbZ2I

To learn more about The MLC in Spanish, visit http://www.elmlc.com (for English, visit http://www.themlc.com).

June 1, 2022  

The MLC to Celebrate Black Music Month with ‘For The Culture’ One-Day Summit in Nashville

June is BLACK MUSIC MONTH! I am thrilled to announce something I’ve been developing for months now:

The Mechanical Licensing Collective and Nashville Music Equality presents For The Culture: Empowering Black Music Creators to Achieve Beyond Reach

🗓 Tuesday, June 21st
⏰ 10am to 6pm
📍 The Mechanical Licensing Collective (Nashville)

Join us for this one-day summit celebrating the evolution of Black Music and its unique and ever-growing impact on the music industry. The event will feature panels designed specifically for Black music creators that both explore creative business strategies and examine the overall royalty landscape, networking opportunities for attendees and a host of live music performances.

◾️AGENDA◾️

10:00am – Check-In

10:30am-11:00am – Opening Discussion: “How Did We Get Here? A Coffee Conversation on the Evolution of Black Music” – The day will kick-off with a conversation to set the tone for the events ahead. Grab a cup of coffee and sit in as three music industry executives discuss the influence of African Americans on popular music. What’s in a genre? Looking to the evolution from Ragtime > Blues > Jazz > R&B > Rock & Roll > Hip-Hop; the commercialization of Black music and the exploitation of Black artists; and more.

Panelists:
• Dae Bogan (Moderator) – Head of Third-Party Partnerships, The Mechanical Licensing Collective and Billboard Digital Power Player
• Brennen Boose – Senior Manager of Marketing and Communications National Museum of African American Music
• Shannon Sanders – Executive Director of Creative, BMI Nashville and 3X GRAMMY Award-Winning Producer

11:15am-12:15pm – “Breaking Through the Noise: Creative Business Strategies for Black Music Creators”

Panelists:
• Shannon Sanders (Moderator) – Executive Director of Creative, BMI Nashville and 3X GRAMMY Award-Winning Producer
• Derek Minor, Grammy Award-winning artist and producer. Co-Founder of We Own Now as well as hip-hop record label Reflection Music Group (RMG)
• Mimi McCarley, Founder of Collab Music Network & Co-Founder of Nashville is Not Just Country Music and We Own Now

12:30pm-1:30pm – “Black Dollars: Unlocking U.S. Digital Music Royalties for Black Music Creators” – Be prepared to take notes and ask questions as this informative panel of music business experts dive into the fundamentals (copyright ownership and publishing), royalty streams (interactive, non-interactive, downloads), post-MMA era rights and entitlements, songwriter challenges, Digital Music Royalties Landscape, and more.

Panelists:
• Dae Bogan (Moderator) – Head of Third-Party Partnerships, The Mechanical Licensing Collective and Billboard Digital Power Player 2019
• Alandis Brassel – Entertainment Attorney, Manager, Assistant Professor of Music Business – University of Memphis
• Cheryl Potts – CEO, Cleerkut Royalty
• George Monger – CEO, Connect Music

1:30pm – 2:30pm – Networking Lunch sponsored by BMI Nashville

2:30pm-4:30pm – The Black Opry Experience – A conversation with the founder of Black Opry, artist conversations, and acoustic performances. Hosted by Gina Miller (SVP & General Manager, MNRK Music) and Kortney Toney (Marketing, Inclusion & Outreach Manager, Naxos of America)

4:30pm-6pm – Closing Reception sponsored by The MLC

Members of The MLC can learn more and reserve your spot at http://www.themlc.com/fortheculture

December 10, 2020  

[Video] Recording of Panel ‘How Credits Improve Contributor Identification and Payment’ from DDEX Virtual Creator Credit Summit 2020

Here is the recording of the panel on which I spoke at the DDEX Virtual Creator Credit Summit 2020.

How Credits Improve Contributor Identification and Payment

November 15, 2019  

Dae Bogan To Join Other Music Industry Experts At US Copyright Office Symposium On Unclaimed Royalties Study in Washington, D.C.

I am honored to announce that on December 6th, three weeks from today, I will be representing the US independent music creators community at a symposium in Washington, D.C. at the The Library of Congress.

A few weeks ago, I was invited by the newly appointed Copyright Royalty Judge, Steve Ruwe, to speak at the Copyright Office’s symposium on unclaimed royalties at The Library of Congress. As a CRJ, Mr. Ruwe is among just three judges who are responsible for setting the royalty rates that all songwriters in the world are paid for the use of their songs in the United States.

Last year, my 2016/2017 research titled “The State of Unclaimed Royalties and Music Licenses in the United States,” — research that led me to founding the world’s first search engine of unclaimed music royalties and licenses and a gateway to initiate claims, RoyaltyClaim (acquired by HAAWK Inc.) — was referenced, and I was personally consulted, by the United States Congressional Budget Office during its analysis of the economic impact of the then-current bill, Music Modernization Act. That bill became law in October 2018 and is now known as the Orrin G. Hatch–Bob Goodlatte Music Modernization Act 2018 (MMA or Music Modernization Act for short).

I have been fighting to ensure that independent and unsigned self-published songwriters are recognized, empowered, and represented in the US music industry for over a decade now. My first break-through was conceptualizing and co-founding TuneRegistry, which enables self-published songwriters to administer their catalog and unlock performance and mechanical royalties while keeping 100% of their copyrights and 100% of their royalties. TuneRegistry has helped thousands of self-published lyricists, composers, producers, and singer-songwriters protect their copyrights and unlock hundreds of thousands, if not millions, of dollars in unpaid and current royalties as well as enter into direct licensing deals with digital music services and social media platforms.

I look forward to discussing how the Copyright Office will develop outreach and messaging strategies to reach and engage self-published music creators and I hope to ensure that these creators continue to have a voice in the room, if not a SEAT AT THE TABLE.

US Copyright Office Announcement: https://www.copyright.gov/newsnet/2019/784.html

September 26, 2019  

Dae Bogan To Speak At A3C Conference

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I look forward to joining Marcus Cobb at this year’s A3C Conference to present “Ownership & Song Registration in the Palm of Your Hand” on Saturday, October 12th, at 2:30pm.

Presentation Description: In this digital age of music, songs have the ability to go from conception to the public in the blink of an eye. Within this new age, it has never been as vital to establish ownership and collect metadata as it is today. In short, your money depends on it! Learn how Jammber’s game-changing technology puts ownership and song registration in the palm of your hand.

***Earlier this month, Jammber announced its acquisition of TuneRegistry. The story was covered in Music Business Worldwide, Billboard, Music Connection, Digital Music News, Hypebot, and others.*** 

September 24, 2019  

Dae Bogan To Moderate Panel On Royalty Payments At Music Tectonics Conference

As music is more fluid across listening services, social music apps, and countries, royalties are more complex than ever. At Music Tectonics Conferece, experts from HFA, SynchTank, and Hyperwallet will unpack challenges and solutions, moderated by Dae Bogan, SVP of Global Music Rights at Jammber / TuneRegistry. Learn more at http://www.musictectonics.com

September 5, 2019  

Fall Upcoming Music Industry Conferences and Networking in Greater Los Angeles

SCMIP Music Industry Happy Hour 15

SoCal Music Industry Professionals x Artist Managers Connect
Music Industry Happy Hour (15th Edition)
An evening of mingling and networking with musicians, songwriters, producers, and music industry professionals from across Southern California hosted by Dae Bogan.
Thursday, September 26th | 6pm to 9pm | 21 and over
at Sassafras Saloon, 1233 Vine Street, Los Angeles, CA 90038

Fall Upcoming Music Industry Conferences and Networking in Greater Los Angeles
*I will be speaking on a panel.
Am I missing anything? Please send information regarding conferences and networking events (no shows/gigs) to me and I will add to the list. Contact me.
June 3, 2019  

[Video] Music Tech Investors and Incubators — Investing in the LA Music Tech Scenes

Last month I had the pleasure of curating and moderating the panel “Music Tech Investors and Incubators — Investing in the LA Music Tech Scenes” at the Amplifying Music in Our Los Angeles conference produced by the UCLA Center for Music Innovation.

My panelists included representatives of investors, accelerators and co-working communities in Los Angeles that focus on music industry entrepreneurship including Techstars Music, Capitol Music Group’s Capitol360 and gBeta Music Tech Accelerator, and The Rattle LA, as well as more open format accelerators including Expert Dojo and Startup UCLA & Blackstone Launch Pad.

In this <60 minutes discussion, we covered plenty of information that any founder of a music startup would want to know about where and how to seek resources to develop, launch, or grow a music venture in Los Angeles.

Bios of my speakers can be found below the video of the panel.

 

 

  • Moderator: Dae Bogan, Founder, TuneRegistry; Lecturer, UCLA Alpert
    Dae Bogan is a music rights executive, serial entrepreneur and educator with over a decade of experience in the music industry. He is the founder and CEO of TuneRegistry, which develops music rights administration software and solutions for small and medium-sized music rightsholders. He also offers music rights, business, and technology consulting through his firm, Rights Department. Dae also teaches the Music Industry Entrepreneurship course at UCLA Herb Alpert School of Music and was an Innovation Fellow at the UCLA Center for Music Innovation. Previously, Dae owned and operated an independent record company (Loft24 Records), a music publishing company (Loft24 Publishing), and an artist management company (Renaissance Artist Management) until 2012 when he founded an in-store independent music video network (Maven Promo), which was later acquired by EMPIRE Distribution in 2017. Dae also founded the world’s first aggregator and search engine of unclaimed music royalties (RoyaltyClaim), which was acquired by HAAWK in 2017.

 

  • Jonathan Wallace, Investment Director, Expert Dojo
    Jonathan Wallace joined Expert Dojo upon its inception as an investment analyst. Over the course of the next 3 years he established relationships with some of the largest venture capital funds in the world and helped dozens of startups raise investment. Jonathan is now the investment director for Expert Dojo and oversees all follow on investments. Expert Dojo has over 30 companies in its portfolio after investing for the last 12 months. 

 

  • Josh Remsberg, VP, Business Development, Capitol Music Group
    Josh Remsberg is Vice President of Business Development at Capitol Music Group. At Capitol, he oversees the Capitol360 Innovation Center, and is focused on finding & developing new revenue opportunities to exploit and extract value from CMG’s copyrights, content, brand assets, and artists. Josh also leads the eCommerce, CRM, audience ownership and gaming strategies for the label group.

 

  • Leah Nanni, Venture Coach and Outreach Coord., Startup UCLA & Blackstone Launch Pad
    Leah is a business owner and Venture Consultant at Startup UCLA, where she helps Bruins become confident and competent entrepreneurs. She also co-leads Startup UCLA’s outreach and inclusion efforts with the goal of reaching entrepreneurs at any stage, in any industry, and from any background and any area of study. Leah holds a M.S. in Social Entrepreneurship and a Master of Social Work, and she brings more than 9 years of business ownership experience to the UCLA and greater Los Angeles communities. 

 

  • Jen Hall, Director, TechStars Music
    Jen Hall is a music industry veteran having worked in management with major artists and at record labels over the past 15+ years. Jen joined Techstars with the inception of the Techstars Music program in 2016. Techstars Music has just finished its 3rd program. Alumni companies from the Techstars Music 2017 and 2018 class have gone on to raise over 50 million dollars in follow on capital.

 

  • Michael Frick, Advisor/Executive Producer, The Rattle, LA
    Michael Frick is a creative solutions innovator with the ability to build consensus among disparate stakeholders. His expertise in music driven strategies for brands, motion pictures, television and digital entertainment has seen him partner with numerous major global brands, agencies, networks and studios. As advisor to the Rattle he is assisting with the launch of the UK-based collective in Los Angeles, CA.
April 24, 2019  

Upcoming Music Industry Events

dae_bogan_51.jpg

I might lose my voice over the next few weeks as I join many of you fine people attending and participating in a number of upcoming music industry conferences.
 
If any of the following sparks your interest, I’d be delighted to see your face in these space:
4/27, 4/27, 4/30 – Music Industry Entrepreneurship Masterclass (Online)
Not a conference, but informational nonetheless. Enrollment is now open until 4/25 for my live online masterclass, with 3 sessions available to choose from each day on 4/27, 4/28, and 4/30. This masterclass is an “essentials” version of my Billboard-recognized Music Industry Entrepreneurship course, which I develop and teach at the UCLA Herb Alpert School of Music. (Attend)
05/03 – ASCAP “I Create Music” Expo (Los Angeles)
I will moderate the panel, “Learn To Earn: New Royalty Opportunities For Musicians, Vocalists, Producers and Engineers,” with Richard James Burgess (A2IM), Maureen Droney (The Recording Academy), Dan Navarro (National Recording Artist), and Stefanie Taub (AFM & SAG-AFTRA Intellectual Property Rights Distribution Fund) who will be discussing new royalty opportunities for music creators. (Attend)
05/07 – Music Biz 2019 (Nashville)
Join me in discussion with Warner Music Group’s Chief Innovation Officer, Scott Cohen, on the topic “Music 2020: The Next Era of Innovation in the Music Industry.” (Attend)
05/15 – Amplify Music in Our Los Angeles (UCLA)
I will moderate the panel, “Music Tech Investors and Incubators — Investing in the LA Music Tech Scenes” with Josh Remsberg (Capitol Music Group’s Capitol360 & gBeta Music Tech), Jen Hall (Techstars Music), Jonathan Wallace (Expert Dojo), Michael Frick (The Rattle LA), and Leah Nanni (Startup UCLA & Blackstone LaunchPad) who will be discussing empowering and investing in tech entrepreneurs in the music industry in Los Angeles. (Attend)
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