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Dae Bogan To Join Association of Independent Music Publishers’ Panel Event “UNCONVENTIONAL MONEY: Royalty Sources You Might Not Think Of”

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Dae Bogan (Founder & Executive Consultant, Rights Department) joins Landon Austin (Co-Founder and President, Noisely),  Larry Mills (Co-President, Tresóna Multi-Media) and Mitch Rubin (VP Label & Publisher Services, Dubset Media) on a panel to be moderated by Michael Eames (President, PEN Music Group / AIMP President) at the Association of Independent Music Publishers‘ panel event:

UNCONVENTIONAL MONEY: Royalty Sources You Might Not Think Of To license your music is to monetize your music.

Whether it be via marching band, show choir, orchestra rentals, iPhone apps, online games and uses, wedding videos, photograph montages – the possibilities are endless. Join us for an exploration of non-traditional outlets and how the variety of them just might surprise you.

Date: September 27, 2018
Time: 11:30 – 1:45 p.m.

Register: https://www.aimp.org/events/register/922

Reservation Cutoff: September 26, 2018

Place: View Map
Lawry’s The Prime Rib
100 N. La Cienega Blvd. (near Wilshire)
Beverly Hills, CA 90210

Entrees:

  • Lawry’s Roasted Prime Ribs Of Beef (Cutoff: September 26, 2018)
  • Crispy Chicken w/Lemon Butter Glaze, Mashed Potatoes & Vegetables (Cutoff: September 26, 2018)
  • Blackened Salmon w/Black Bean Pineapple Salsa, Mashed Potatoes & Vegetables (Cutoff: September 26, 2018)
  • Roasted Vegetables with Quinoa (vegan) (Cutoff: September 26, 2018)

Cost:
AIMP Members – $44.00 per person
AIMP Non-Members – $57.00 per person

Our banking sponsor for this event is:

 

City National Bank

Parking: Self-parking is available on site at no additional charge.

Reservations accepted online at www.aimp.org or by telephone at 818-771-7301 until Wednesday, September 26th at noon.  Advance registration deadline with entree choice also ends on Wednesday, September 26th at noon Premier Members and/or groups of 5 or more who have RSVP’d and paid online may request reserved seating by e-mail or phone, 818-771-7301.  We will do our best to accommodate late reservations made the day before the event, but please be advised that entrée selection and space may be limited. Online reservations can be paid online by credit card.  Payment at the door is by cash, check or credit card (with a $5 surcharge).  Those who walk up without a reservation will be served whatever is available, but most likely prime rib, and may have to wait at entry.  

Full-time students with a current student I.D. – $47.00 per person*

*Qualifying students must reserve by phone and pay in advance by check or at the door. There are no online reservation or payment services for this discounted rate.
NOTE TO BERKLEE ALUMNI: If you are inquiring in response to a special offer via the Berklee Newsletter, please email LAinfo@aimp.org for registration instructions.

Attention Students!  The AIMP has launched its education initiative at Lawry’s.  What this means is that up to 8 students are allowed to attend each panel for $20 per person.  The fee does not include food. This is a great opportunity to learn about music publishing and network. You must RSVP and pay in advance via e-mail or by calling 818-771-7301.

Attention attorneys: this activity has been approved for 1.0 hour of Minimum Continuing Legal Education Credit by the State Bar of California. Attorneys wishing to register for MCLE credit should bring their state bar number with them for the sign in sheet.
[Pick up your certificate at the luncheon – AIMP cannot issue certificates after-the-fact.]

Additional Speaker Information

Landon Austin is the co-founder and President of Noisely which is a licensing search engine for content creators. His career began as a creator where he gained a large online following from finishing top 3 in Dorito’s Crash The Super Bowl competition. His music videos on YouTube have accumulated over 25M vews and resulted in an international touring schedule and over 1.5M monthly listeners on Spotify. In 2017 Landon transitioned to an executive and founder role with Noisely to help bridge the gap between traditional publishing and the necessity for a more streamlined approach to licensing music in smaller applications such as wedding videography, photography, in-app music, YouTube and more. Noisely is currently focused on working with publishers and helping them to launch their own white-label micro-licensing platforms to increase bottom line revenues through access to niche markets.

Dae Bogan is a music rights executive, serial entrepreneur, music creators’ rights advocate, and educator with over a decade of experience in the music industry. Through his boutique music rights & technology consulting firm, Rights Department, Dae assists tech founders license and bring their products and services to market. Dae also works with small to medium-sized music rightsholders to help them navigate and evaluate new media deal terms. He has worked with Beatshare, mydiveo (acquired), PicPlayPost, Acappella, Stryve, WeGo Concerts, and many others.

A serial entrepreneur, Larry Mills has forged his way in the entertainment business over a 25-year career, which has seen him start Record Labels, Marketing Companies, Management Companies, and most recently as Co-President of music licensing company Tresona Music. Tresona is the world’s leader in the issuance of custom arrangement licenses. Tresona exclusively represents the catalogs of Sony/ATV, EMI, Universal Music Publishing, Kobalt, BMG, the catalogs of Hal Leonard, Disney and nearly 7,000 other music publishers for these rights. Tresona’s world class technology makes the licensing process seamless, and currently works with nearly 10,000 performing ensembles worldwide. Larry’s career kicked off with a record company he founded, Steam Records, which was started in the kitchen of his apartment in Atlanta back in 1992. Steam put out early releases by Rusted Root, Lisa Loeb, Shawn Mullins, Kristian Bush (Sugarland) and others. Soon after starting Steam, Larry was brought in to run Autonomous Records, another independent label, which spawned the careers of Sister Hazel and Creed. Autonomous was sold to Roadrunner Records in 1997. After that acquisition, Larry was brought in to run marketing for Pump Audio, the independent music licensing company, which was ultimately sold to Getty Images. After the acquisition, Larry ran the music division of Getty Images for 3.5 years. In 2011, Larry was recruited to be the VP, Strategic Marketing for Sony/ATV Music Publishing. During his tenure, he conceptualized and realized We Are The Hits, which is an on-line music video network, predominantly on YouTube, which allows the aspiring artists of the world to share in the advertising revenue from their cover songs, legally. Currently WATH generates over 3 Billion views a year on YouTube and pays out millions of dollars a year to both songwriters and independent artists. Larry acquired WATH in 2013 from Sony, and at that time partnered with Tresona.

Mitch Rubin is Vice President of Label & Publisher Services at Dubset Media, which offers an innovative music marketplace for artists, labels, publishers, distributors, and DJs. Through cutting edge technology, a rights management database, and easy to use dashboards, Dubset creates new mix & remix distribution and monetization opportunities built on transparency, ownership control, and simplicity. Mitch held senior management positions as a music publisher and for a digital music service, both in the United States and Internationally. He was an integral member of the team that grew BMG Music Publishing into the third largest music publisher in the world prior to its acquisition by Universal Music Publishing in 2006. Among his more notable accomplishments were developing BMG’s production music library business, now the largest in the world and, as Managing Director, turning around and growing the historically unprofitable Australia/New Zealand operation. Immediately prior to Dubset, Mitch was the Global Head of Licensing, Composition Rights, for Nokia, Microsoft, and MixRadio (a division of Line Corp). In that role, he oversaw the licensing of composition rights and managing rights holder relationships in more than 40 countries for such innovative products as Comes With Music and MixRadio. He concluded and managed dozens of agreements, many of which required bespoke licensing solutions due to lack of commercial precedents. Mitch joined the startup Dubset Media in early 2017.

Michael Eames is President of PEN Music Group, Inc. Founded in April 1994, PEN is a full-service independent music publishing company with a worldwide presence who is celebrating its 23rd anniversary in 2017. PEN offers efficiency and personal attention as a boutique company. With PEN’s A-list music contacts in film, TV and advertising, and a success rate that continues to grow (with 100+ placements each year), it is an effective alternative to the large multinational publishing companies. Eames and PEN proudly represent the catalogues of writer/artists as diverse as: JOHN FARRAR (legendary producer of Olivia Newton-John who wrote many of her biggest hits); DON FELDER (formerly of The Eagles who co-wrote the classic copyright “Hotel California”); Oscar®-winner DONNY MARKOWITZ (including the smash hit “(I’ve Had) The Time Of My Life” from DIRTY DANCING); OLIVIA NEWTON-JOHN herself; Grammy®-nominated artist/producer WENDY WALDMAN (who co-wrote “Save The Best For Last”); Emmy®- nominated lyricist AMY POWERS; GINA SCHOCK of the Go-Gos; the estates of late composers EARLE HAGEN and ALLYN FERGUSON who between them co-wrote classic TV themes such as The Andy Griffith Show, Barney Miller (and its spinoff Fish), Mod Squad, I Spy , Gomer Pyle, U.S.M.C. and The Dick Van Dyke Show, and many others. PEN is also well known for supporting and developing indie buzz artists such as Kimberly Cole and ShyBoy (both of whom have over 1 million followers on Twitter), as well as many other up-and-coming artists and writers. PEN has also recently begun to represent the videogame scores owned by Zenimax Media which include the Elder Scrolls franchise. PEN’s songs have been recorded by artists including The Black Eyed Peas, Celine Dion, the cast of GLEE, Selena Gomez, Miley Cyrus, Cazzette, kd lang, Santana, Christina Aguilera, Corinne Bailey Rae, Faith Hill, Paulina Rubio, Macy Gray, Kenny Rogers and Luther Vandross, among countless others. In the current climate of change in the music business, PEN has also partnered with various independent labels such as Oglio Records and Cheap Lullaby Records to leverage collective strengths. PEN has similarly been entering into joint ventures with respected music executives who start their own companies, most notably Eddie Gomez (formerly of Bug Music) who launched his Little Brother Music in 2012 and Lynn Grossman whose Secret Road Music Services manages Ingrid Michaelson and is a very successful company licensing music to film/TV/ads.
Register for this event now by clicking here.

Dae Bogan To Join Panel On Artist Management In The Streaming Era At The Business Of Music Conference

dae bogan at the business of music conference

I am looking forward to joining a number of colleagues at Music Industry Quarterly Magazins (MIQ) & Urban Network Digital’s the 5th annual The Business of Music Conference and speaking on the panel “Managing Artists in the Streaming Era”.
Digital streaming is one of the most important arenas in all of the music buisness. We will discuss the variety of streaming options, subscription services, breaking new artists, royalty options, and the power of playlists.

 

Panelists:
  1. Dae Bogan, Founder & CEO at TuneRegistry
  2. Erika Bennett, Global Head of Marketing, Original Content at YouTube
  3. Neil Dominique, Artist Management (Bryson Tiller, Ayo the Producer, Partison Fontaine)
  4. Nolan Smith, Artist Management (Super Duper Kyle)
  5. Ronette Bowie, Enigma Music Management
  6. Shari Hoffman, CEO at Transparence Entertainment Group

Dae Bogan To Join Panel On Blockchain At Guild Of Music Supervisor’s State Of Music In Media Conference

ViewFromHere

I am looking forward to speaking at the Guild of Music Supervisor’s ‘State of Music in Media’ Conference on September 15th at University of Southern California.

Along with Erin Collins (SESAC) and Thomas Golubić (Music Supervisor), I will be discussing on the panel “View From Here” blockchain technology and the possible impact it may have on how artists are paid, how performance royalties are tracked, what impact it may have on music licensing and other issues that may emerge from this exciting new technology.

Los Angeles Music Industry Upcoming Networking Events

daeboganmusic.com music events los angeles music industry

If you work in the music industry in Greater Los Angeles, here are a few upcoming must-attend networking events and communities to join (am I missing something? post in the comments).
• 8/27 – A2IM – Monthly Indie Mixer at Checker Hallhttps://www.eventbrite.com/e/la-a2im-monthly-indie-mixer-august-tickets-48614604591
• 8/28 – The California Copyright Conference – Summer Networking Mixer at Palihouse West Hollywoodhttps://theccc.org/events/summernetworkingmixer/
• 9/10 – Los Angeles Songwriters Collective at TeaPop – https://www.facebook.com/lasongwriters
• 11/8 – A2IM – SynchUp at Annenberg Community Beach Househttps://www.a2imsynchup.com/
Honorable mentions:
Industry Talks (curated by Kyle Emerson-Brown) – Just missed their Industry Talks Presents: Hear It Now, but more will be coming out of this camp so follow their page. Industry Talks connects amazing humans pursuing their passion in the music business. From label, management, press, legal and talent-buying executives to artists, writers and producers, Industry Talks is an extraordinary monthly evening of conversation and dinner. A positive environment through which we explore the current and future state of music, we foster support, connection, innovation and mobility. Discussion topics include management, artist rights and development, marketing, branding and tour promotion.
SoCal Music Industry Professionals (organized by Dae Bogan) – The last SCMIP’s Music Industry Happy Hour 10th Edition was an epic networking mixer at The Bungalow Santa Monica. Join the group to connect and network. SoCal Music Industry Professionals (SCMIP) is a networking group for Music Industry Professionals (MIPs) living in Southern California. The purpose of this group is to create spaces (online and offline) where current MIPs network, share and gain industry insights, develop and nurture new relationships, and simply be a part of a community of professionals.

SXSW 2019 Panel Voting Has Opened

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SXSW 2019 Panel Voting Has Opened. Please Vote For The Four (4) Panels That I Am On:

Becoming A Modern Music Entrepreneur

Description: Join successful music entrepreneurs to learn more about how a basic shift in perspective and the drive to work towards your goals is taking the first step to becoming a modern music entrepreneur.
Panelists: Dae Bogan (TuneRegistry), Brian Penick (The Counter Rhythm Group), Ariel Hyatt (Cyber PR), Einar Pedersen III (Austin Music Foundation)

Breaking Artists Through Video: Your How-To Guide

Description: For artists looking to break into the Hip-Hop game without the backing of a major label, the right music video could be their ticket to the main stage. Considering video is now the primary driver of revenue for new music releases, knowing how to maximize this medium will make or break your ability to build your brand. Join us as we talk about what it takes to create a video that people want to watch, promote a video that cuts through all the noise, and monetize a video that can make you rich.
Panelists: Dae Bogan (TuneRegistry), Roy LaManna (Vydia), Javier Sang (WorldstarHipHop), Yomi Desalu (BET)

Right On! – Real developments in rights technology

Description: Billions of lines of data are flowing between numerous systems and to a growing number of rights holders. Royalties need speedy and accurate processing across an evolving set of usage types and all on an increasingly global scale. Emerging rights management technologies offer the potential for a traditionally fragmented industry to become more cohesive and collaborative. So what will drive real development in rights technology that can handle all of this?
The issues surrounding rights management are compounded by the phenomenal growth of a data-heavy format combined with the industry’s historic difficulties in keeping pace with advancements in technology. It is of paramount importance that age old problems be addressed.
Panelists: Dae Bogan (TuneRegistry), Molly Meuman (Songtrust), Vickie Nauman (CrossBorderWorks Consulting & Advising), Anna Siegel (FUGA)

The Future of (meta)Data

2018 was the year that the word “data” got sexy in the music industry. 2019 will be the year that data will become the asset separating successful and less successful digital services. Music credits were an integral part of physical music…and they got lost along the way in the transition to digital. And in the case of performer and attribution data, lack of accurate information is the difference between being paid, or not. Our four panelists will cover the latest developments in the data world, from political and business decisions that impact payment of your money, to discussion of what is coming down the road in terms of artist discovery made possible by hyperlinked digital music credits. And we’ll cover the basics of making sure that proper metadata is associated with your music.
Panelists: Dae Bogan (TuneRegistry), Dick Huey (Jaxsta), Cherie Hu (Billboard), Vickie Nauman (CrossBorderWorks Consulting & Advising)

Join Me At SCMIP’s Music Industry Happy Hour 10th Edition Hosted by Dae Bogan

SCMIP Music Industry Happy Hour

SoCal Music Industry Professionals & TuneRegistry present

Music Industry Happy Hour (10th Edition)

An evening of mingling and networking with musicians, songwriters, producers, and music ndustry professionals from across Southern California hosted by Dae Bogan.

Thursday, August 9th | 6pm to 9pm | 21 and over
at The Bungalow Santa Monica
101 Wilshire Blvd., Santa Monica, CA

RSVP at www.SCMIP10.eventbrite.com

Dae Bogan To Join Panel On The Future Of Rights Technology At A2IM Indie Week In New York

a2im indie week dae bogan speaker

Dae Bogan will join Shanna Jade (Director of Brand Strategy, Stem) and Rob Weitzner (Head of North America, The state51 Music Group) on the panel “Future of Rights Technology” on Wednesday, June 20th at A2IM (American Association of Independent Music) Indie Week conference taking place at the Clemente Soto Velez Cultural and Educational Center in New York. The panel will be moderated by Anna Siegal, SVP FUGA North America.

For more details, visit https://a2im.org/event/a2im-indie-week-2018/

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