Archive by Author | Dae Bogan

Dae Bogan To Speak At SF MusicTech Summit – October 17 – San Francisco, CA

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The SF MusicTech Summit brings together visionaries in the evolving music/business/technology ecosystem, along with the best and brightest developers, entrepreneurs, investors, service providers, journalists, musicians, and organizations who work with them at the convergence of culture and commerce. We meet to do business and discuss, in a proactive, conducive to dealmaking environment.

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Learn more about SF MusicTech Summit at http://www.sfmusictech.com/

Ask Me Anything About The Music Business, With Dae Bogan

Ask Me Anything

Ask me your music business question and I’ll attempt to provide you with an answer or direct you to a resource with a better answer or guidance. I cannot provide specific legal advice, but I can discuss general music business practices. Join the conversation on Facebook, Twitter, Linkedin, or DaeBoganMusic.com. Simply drop your question in the comments section wherever you see the above image.

If You’ve Never Received Mechanical Royalties From Google Play Music, This Might Be Why

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Is Google Willfully Refusing To Use Its Own Assets To Identify Copyright Owners?

In recent weeks Google and YouTube has come under fire by high-profile music industry professionals in regards to Lyor Cohen’s statements on the royalties it pays to artists. This piece is NOT about that.

At Royalty Claim, we periodically randomly select and investigate records that our researchers and data scientists ingest. Random investigations — sometimes against pre-determined hypotheses and sometimes just to follow down the rabbit hole — has helped us uncover nuances in the music licensing ecosystem that manifest into trends that suggest major systemic issues.

Earlier this month we reported that Google has filed nearly 7 Million Section 115 NOIs on the US Copyright Office for musical works in which it claims to be unable to identify the copyright owner. Then, Lyor Cohen boasted about YouTube’s royalty payouts and its growing ability to match music to videos (Google it, it’s everywhere). And then we remembered that this is only possible due to YouTube Content ID, which is arguably the largest database of copyright information with music codes, audio samples, etc.

So, if the largest submitter of “copyright owner unknown” NOIs is also the owner of the largest private database of copyright owner information, it makes no sense that Google cannot seem to identify copyright owners to pay mechanical royalties for the use of the copyright owner’s songs on Google Play Music.

So, we investigated this.

Do So-called Music Advocacy Groups Avoid Deeper Discussions On Black Box Royalties To Appease Their Major Members?

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Over the last few weeks I’ve come to consider the notion that some of the biggest so-called “advocacy” groups for music creators censor their discussions on black box royalties due to the top-heavy makeup of their membership.

I’m Working On A Side Project Addressing ‘Black Box’ Royalties

I feel that some directors avoid, or lighten, their criticism of major labels and publishers, at the expense of their independent and DIY members, because representatives of the majors sit on the boards of these organizations. They have deep pockets for annual gifts and dues, and a non-profit can’t afford to see those dwindle.
In my presentation on the state of unclaimed royalties and music licenses at the Music Industry Research Association’s first inaugural MIRA Conference earlier this month, I presented several arguments of how black box royalties manifest. This included cash advances paid to music companies by digital service providers that go unattributed to their artists at the end of the contract term. What I didn’t include are the distribution of unattributed royalties to major publishers, by market share, from music rights organizations.

[Preview] The State of Unclaimed Royalties and Music Licenses in the United States (7)
Major labels and publishers cannibalize most distributions of black box royalties in an unfair and imbalanced manner. It is my belief (and feel free to correct me if I am wrong) that the majors have the resources and manpower to do a better job of registering their works and claiming their earnings. It is my opinion, based on my work through TuneRegistry — a music and rights metadata management platform for the independent music community — that the independent sector have the most difficult time in this respect; especially the DIY segment, which is all but blacklisted from being represented in these secret imbalanced conversations and distributions.

But who should be the outspoken opponents of these types of distributions? The advocacy groups? When “watch dogs” should be shining the light in every dark corner of the royalty vault, some of these groups tend to prefer dim conversations regarding black box royalties and how those funds are cannibalized by their major members.

This is why I believe A2IM (American Association of Independent Music) and AIMP (Association of Independent Music Publishers), despite my concern for how the music industry categorizes independents, is a great thing overall for DIY musicians.

DIY musicians need to do a better job of joining and navigating the worlds of trade associations. After all, they are their own record label and music publisher.

Lead Photo by Jonny Clow on Unsplash

SoCal Music Industry Professionals August Meetup With Chips & Salsa Sponsored By Royalty Claim

I am excited to announce the next SoCal Music Industry Professionals (Meetup | Facebook) meetup taking place at my absolute favorite taco joint (which happens to be a beautiful venue for live music on La Brea in Mid-Wilshire District) — Candela La Brea!

I’ve know the owners for almost a decade, having hosted events/parties in this space as a college student/club promoter. The family has completely revamped the space, so I am thrilled to host my music industry colleagues here to network and check it out the space (Red Bull just hosted a sick music event here last night). My buddy Omar, the GM, was kind enough to grant us the full upstairs lounge with a private bar (great margaritas) and a complimentary chips & salsa bar sponsored by Royalty Claim (you can also order food from the full menu…the tacos are AMAZING!).

I hope to see you all Thursday, August 31st at 6pm! Please RSVP (plus 1s and 2s are OK) on Facebook at https://www.facebook.com/events/386559748425153 or on SCMIP Meetup website http://www.meetup.com/scmiponline

 

Best,
Dae

Royalty Claim Announces Pre-launch Webinar For This Weekend

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Just Announced: Royalty Claim Pre-launch Webinar

Get a sneak peak behind the curtain with Royalty Claim’s Founder & Chief Researcher, Dae Bogan.

Agenda:

  1. Overview of the Royalty Claim Initiative.
  2. An encore presentation of our presentation at the Music Industry Research Association Conference.
  3. Live demo of Royalty Claim Platform v1.0.
  4. Music industry Q&A.

The webinar will take place on Saturday, August 19th at 10am PDT

REGISTER HERE