FREE WEB CONFERENCE: Artist Launch’s Virtual Music Business Summit

FREE WEB CONFERENCE:
Artist Launch’s Virtual Music Business Summit
August 24th, 2016, Starting at 12pm PST
• Dae Bogan (Co-founder & CEO of TuneRegistry)
• Benji Rogers (Chief Strategy Officer of PledgeMusic)
• Reggie Hawkins (Program Director of Hip Hop Nation on SiriusXM Radio)
• Cynthia Charles (Touring at AEG Live’s Urban Touring Division)
• Cherie Hu (Media & Entertainment Writer for Forbes)
Join the live Q&A on “HOW TO PROTECT AND MARKET YOUR TALENT” with Dae Bogan at 3:30pm – 4:00pm PST
See full schedule: https://karenmariemason.com/
Tune-in here: http://events.instantteleseminar.com/?eventid=88530465
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Please Vote For My SXSW Panel Idea
For the past two years, I’ve been mentoring music and music tech entrepreneurs at SXSW. From music app founders to indie bands to artist managers, I’ve given my time to provide advice and guidance to awesome people working to improve their careers or businesses.
Over the last year, I’ve focused a great deal of my time on the issues surrounding rights and metadata in the music industry. My research and work has culminated in the launch of my startup, TuneRegistry, which enables music creators and rights-holders to manage their music catalogs and register their rights and metadata all in one place. We believe that by empowering music creators with a tool to organize accurate metadata and streamline the rights registrations processes, the music industry as a whole will be better accountable to artists and writers.
This summer I had the honor of teaching a course at the UCLA Music Innovation Summer Institute on the music tech business. During the program, I curated and moderated a panel on rights and metadata and invited representatives from Music Reports, Crunch Digital, BuzzAngle Music, and the co-founder of TuneRegistry to speak on the challenges we’re seeing in the digital music space. The panel went so well that I was encouraged to submit the panel to SXSW.
I am happy to say that the panel, along with the original speakers — Bill Colitre (Music Reports), Keith Bernstein (Crunch Digital), Jim Lidestri (BuzzAngle Music), and Jesse Morris, Esq. (TuneRegistry) — is up for consideration for SXSW 2017.
Please take a moment to check out the panel idea, comment, and vote at http://panelpicker.sxsw.com/vote/62361.
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[VIDEO] Music Business Q&A Webinar
I was invited to participate in a live music business Q&A. Independent music creators from around the world tuned-in and asked questions. Check it out above or here.
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Hangout With Dae This Saturday On Google Hangouts

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Take My Class On The Business Of Music Tech Startups This Summer At UCLA

I am honored to have been invited to develop and teach a course at UCLA this summer within the Music Innovation Summer Institute, administered by UCLA Herb Albert School of Music’s Center for Music Innovation.
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TuneRegistry: Next-Gen Music Rights & Metadata Management Platform Seeks Indie Music Beta Testers


TuneRegistry is seeking beta testers
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BOOK: The Economics of the Popular Music Industry

I recently learned that some of my original critical writings about the music industry has been cited multiple times in the book “The Economics of the Popular Music Industry: Modeling from Microeconomic Theory and Industrial Organization” by Chong Hyun Christie Byun, an Associate Professor of Economics at Wabash College.
Abstract: The music business appears to be (almost) the same as it ever was, with a handful of large firms maintaining control over the production and distribution of music. With significant economies of scale, it makes economic sense for these firms to use their market power to produce music efficiently and cheaply. But musical innovators have challenged the dominant paradigm and emerged as independent artists with control over their past and future works. Technology has and will continue to enable them to do so, leveling the playing field for new musicians to find better ways to distribute music. Economic theory provides the analytical tools for music consumers and producers to study the industry and understand how musical creativity endures in the business of music.
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Mark Mulligan’s New Book Is A Must Read – Awakening: The Music Industry In the Digital Age
I’m happy to hear that Mark Mulligan has finally released his book, “Awakening: The Music Industry in the Digital Age,” about the rise of the digital music industry. He interviews dozens of prominent figures in the space and offers a point of view and analyses that we’ve come to love from this industry expert. “For anyone interested in the music industry and the lessons it provides for all media and technology businesses in the digital era, this is the only book you will ever need.” The book is available now on Amazon and iTunes and Google Play.
I am very excited to announce the launch of my book ‘Awakening’ which charts the rise of digital music and how it is changing the music industry. ‘Awakening’ is the definitive account of the music industry in the digital era. With exclusive interviews with the people who shaped today’s industry it tells the inside story of how the music business grappled with the emergence of an entirely new digital economy
The music industry is on the brink of an utterly transformative period of change that will result in the creation of an entirely new industry tailor made for the digital era. ‘Awakening’ presents the vision of how and why this change will come, what this future will look like and how the first steps on the journey are already being taken. The book includes interviews with 60 of the music industry’s leading figures, including globally successful artists and more than 20…
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Infograph: Understanding U.S. Music Royalties
The Music Business Association (Music Biz) published an infographic, “Music Royalties USA Quick Start Guide,” which gives songwriters and performing musicians a simple way to understand the complex framework they must navigate to receive proper payment for their work.
The document illustrates how royalties are handled for songwriters, publishers, and performers in various media, such as Physical Products and Download Sales, Radio & TV, Satellite & Cable Radio, Non-Interactive Streaming Radio, On-Demand Streaming Music Services, and Synchronization – Movies, TV, Games, Etc. The infographic also explains some of the more misunderstood jargon related to royalties and tells songwriters, publishers, and performers exactly which entities they need to register with.
“Because the rules governing music royalties are so complex and differ so greatly from one medium to another, many artists are leaving a significant amount of money on the table without even knowing it,” said Bill Wilson, Vice President of Digital Strategy and Business Development at Music Biz. “This infographic arms songwriters, publishers, and performers with the knowledge they need to ensure they get everything they are owed, allowing them to get back to what they do best: making music. We’d also like to thank our Affiliate Partners ASCAP, BMI, The Harry Fox Agency (HFA), The Recording Academy, SESAC, and SoundExchange, who all helped review the infographic to ensure it fully captured the process.”
The “Music Royalties USA Quick Start Guide” is the latest in a series of informational infographics that affirm Music Biz’s commitment to the artist community by providing vital information needed to understand how the music industry works and tips to get the most out of the services available to them. Previous entries include the “Global Music Licensing Quick Start Guide,” “SEO for Music Websites,” the “Artist Website Toolkit,” and more.
The infographic is available for free and can be viewed as a JPG or PDF.
Source: http://musicbiz.org/press-releases/music-biz-decodes-u-s-music-royalties-new-infographic/
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Dae Bogan Contributes To Bobby Owsinski Music Industry Book Now Published: Music 4.0 A Survival Guide For Making Music In The Internet Age
I am excited and honored to announce that the music industry book in which I contributed is finally out and available on Amazon. “Music 4.0: A Survival Guide For Making Music In The Internet Age” by Bobby Owsinski is the definitive guide for any independent artists to understand the in’s and out’s of making, promoting, and selling imusic in the Internet era. My contribution is in Chapter 7: Marketing With Social Media. I talk about the Myspace platform and why I think every indie artist needs to incorporate Myspace in their overall digital marketing strategy.
Check out the book for amazing insights into how the music industry has changed with and what you should be doing in Internet age.
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