Celebrating 1 Year In Colombia, 4 Years With The MLC, And Announcing Music Biz 2024 Panel
May 1 🎉
Today marks the one year anniversary since I officially moved to Medellin, Colombia 🇨🇴(May 1, 2023) and 4 years since I joined The Mechanical Licensing Collective 🎼 as its Head of Third-Party Partnerships (May 1, 2020).
I am proud of having built a small sense of community here in Medellin with care and intention while simultaneously expanding the impact of my work in the global music industry, particularly by spearheading grassroots outreach initiatives in Latin America and by developing The MLC’s Distributor Unmatched Recordings Portal aka The DURP (www.themlc.com/durp). The DURP has had a direct positive impact on the livelihoods of hundreds of independent artists around the world 🌎 by empowering independent music distributors with data transparency and insights into the music publishing sector.
As a result of this work, I am proud to be named a finalist in the Maestro of Metadata category for this years Music Business Association’ Bizzy Awards and I look forward to joining industry colleagues in Nashville in two weeks for the #MusicBiz2024 conference and the Bizzy Awards dinner.
I will also be speaking on the panel “10X: How New Markets & Innovation Can Help The Music Industry Grow Tenfold” on Tuesday, May 14. Drop in! http://www.musicbiz2024.com
Join Us For BeatMix: Miami and Florida Songwriters Association Workshop
MIAMI – Let’s get to work!
I will be conducting two music business workshops in Miami this month:
Friday, April 19th – BeatMix: Miami (FREE w/ RSVP)
Friday, April 20th – 5th Annual Florida Songwriters Workshop (TICKETS AVAILABLE)
See you there!
Dae Bogan Takes The MLC’s BeatMix To Puerto Rico
BeatMix is back…and this time we’re coming to Puerto Rico, Miami, and Orlando!
Last year, I collaborated with one of my favorite Latin music industry collaborators, Stephanie Santiago-Rolón, CEO of Elevated Music Industries, to bring The Mechanical Licensing Collective music business workshop into a recording studio in Orlando, Florida.
By taking over recording studios to educate music creators about their rights and entitlements in the U.S., I aim to “meet you where you are!”
Join me next Saturday, March 16th at 6pm in San Juan, Puerto Rico at Artillery Music Studios! RSVP to rsvp@themlc.com
Dae Bogan At SXSW 2024
SXSW 2024
🔸Tue. March 12th – 1PM-1:40PM – Mohawk
Join me for my panel “Know Your Rights: Managing Your Music Licensing Portfolio” at SXSW with Give A Note Foundation Artist For Artist Artist For Action for TAKE ACTION x SXSW Mohawk Austin! Music for Good. #takeactionsxsw
RSVP: artistforartist.com/sxsw
🔹Wed. March 13th – 2:45PM-3:15PM – South Congress Hotel
Join me for my panel “WTF Is Music Publishing?!” at SXSW at TuneCore’s ATX Artist & Industry Mixer hosted by XBValentine.
RSVP: https://www.tunecore.com/forms/24-03-13-atx-mixer-2024
🔸Fri. March 15th – 10AM-1:30PM – Hotel Van Zandt
Come say “hi” to me at The Mechanical Licensing Collective table at the Broadcast Music, Inc. (BMI) Brunch at SXSW.
The MLC presents BeatMix: Orlando on Friday, November 10th
The MLC presents BeatMix: Orlando
Friday, November 10th | 7pm to 10pm
Starke Lake Studios located at 275 N Lakeshore Dr., Ocoee, FL 34761
Join Dae Bogan, Head of Third-Party Partnerships at The MLC and Stephanie Santiago-Rolón, CEO of Elevated Music Industries at Platinum Award-winning Starke Lake Studios for an upbeat night to get to know The MLC. Come mix and mingle with Orlando area Latin music songwriters, composers, lyricists, and music producers and leave with new connections and key information about your creator rights in the United States.
RSVP at rsvp@themlc.com
Dae Bogan to Conduct Workshop ‘From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop’
I am thrilled to announce the first of a series of in-person music rights and royalties workshops that I will be conducting in Nashville, Miami, and New York this year:
From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop
🗓️ June 22nd • 4pm-6pm
📍 The Mechanical Licensing Collective in Nashville, TN
🎫 Free with Registration
Description:
“From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop” is an interactive workshop specifically designed for aspiring Hip-Hop and R&B music creators.
Presented by The MLC and Nashville is Not Just Country Music and led by Dae Bogan, Head of Third-Party Partnerships at The MLC, the workshop will take creators through a crash course demystifying the intricate world of music rights, income entitlements, publishing administration and the distribution of U.S. digital music royalties.
Through a series of individual and group simulations, participants will delve into various facets of the industry including contribution and credit tracking, negotiation of splits, the impact of samples on copyrights and royalties, work registrations and the process of claiming royalty shares.
Participants will gain a deeper understanding and appreciation of how song and recording contributions translate into royalty payments from The MLC and other organizations.
The workshop will take place at The MLC’s office in Nashville on June 22 from 4 p.m. to 6 p.m. CT. Tune in by registering at https://www.eventbrite.com/e/the-mlc-ninjcm-present-from-beat-to-bank-workshop-tickets-637622174087
Hola desde Medellín, Colombia / Hello from Medellín, Colombia
¡Hola desde Medellín, Colombia! 🇨🇴
Hello from Medellín, Colombia! 🇨🇴
I am excited to announce that effective May 1st, on the 3-year work anniversary of my role at The Mechanical Licensing Collective (The MLC), I am now based out of Medellín, Colombia.
In my role as Head of Third-Party Partnerships, I will continue to develop and spearhead culture, innovation, and service oriented initiatives and partnerships at The MLC while also expanding our outreach efforts through grassroots approaches and partnerships on the ground in Latin America.
After spending 18 months visiting over 15 countries and exploring local music communities around the world, including seeing the first payee of royalties discovered through The MLC’s DURP (durp.themlc.com) being an independent rapper in Australia, I am excited to begin this next chapter in Latin America.
📣 Open Call to People & Organizations in Latin America 📣
In the coming months, I aim to further The MLC’s mission by partnering with music industry organizations, Latin music industry culture ambassadors, and regional music industry technology companies to reach, engage, and educate music creators in Latin America about their rights and entitlements to U.S. digital audio mechanical royalties.
I’ve already begun conversations with music industry professionals, music creators, and various organizations and companies, but I’m looking forward to additional introductions.
Contact me or tag someone to get the convos started!
About The MLC in 60 Seconds – https://youtu.be/qQx1j7YNiqM
Que es El MLC en 60 Segundos – https://youtu.be/ShRtT_qbZ2I
To learn more about The MLC in Spanish, visit http://www.elmlc.com (for English, visit http://www.themlc.com).
The MLC to Celebrate Black Music Month with ‘For The Culture’ One-Day Summit in Nashville
June is BLACK MUSIC MONTH! I am thrilled to announce something I’ve been developing for months now:
The Mechanical Licensing Collective and Nashville Music Equality presents For The Culture: Empowering Black Music Creators to Achieve Beyond Reach
🗓 Tuesday, June 21st
⏰ 10am to 6pm
📍 The Mechanical Licensing Collective (Nashville)
Join us for this one-day summit celebrating the evolution of Black Music and its unique and ever-growing impact on the music industry. The event will feature panels designed specifically for Black music creators that both explore creative business strategies and examine the overall royalty landscape, networking opportunities for attendees and a host of live music performances.
◾️AGENDA◾️
10:00am – Check-In
10:30am-11:00am – Opening Discussion: “How Did We Get Here? A Coffee Conversation on the Evolution of Black Music” – The day will kick-off with a conversation to set the tone for the events ahead. Grab a cup of coffee and sit in as three music industry executives discuss the influence of African Americans on popular music. What’s in a genre? Looking to the evolution from Ragtime > Blues > Jazz > R&B > Rock & Roll > Hip-Hop; the commercialization of Black music and the exploitation of Black artists; and more.
Panelists:
• Dae Bogan (Moderator) – Head of Third-Party Partnerships, The Mechanical Licensing Collective and Billboard Digital Power Player
• Brennen Boose – Senior Manager of Marketing and Communications National Museum of African American Music
• Shannon Sanders – Executive Director of Creative, BMI Nashville and 3X GRAMMY Award-Winning Producer
11:15am-12:15pm – “Breaking Through the Noise: Creative Business Strategies for Black Music Creators”
Panelists:
• Shannon Sanders (Moderator) – Executive Director of Creative, BMI Nashville and 3X GRAMMY Award-Winning Producer
• Derek Minor, Grammy Award-winning artist and producer. Co-Founder of We Own Now as well as hip-hop record label Reflection Music Group (RMG)
• Mimi McCarley, Founder of Collab Music Network & Co-Founder of Nashville is Not Just Country Music and We Own Now
12:30pm-1:30pm – “Black Dollars: Unlocking U.S. Digital Music Royalties for Black Music Creators” – Be prepared to take notes and ask questions as this informative panel of music business experts dive into the fundamentals (copyright ownership and publishing), royalty streams (interactive, non-interactive, downloads), post-MMA era rights and entitlements, songwriter challenges, Digital Music Royalties Landscape, and more.
Panelists:
• Dae Bogan (Moderator) – Head of Third-Party Partnerships, The Mechanical Licensing Collective and Billboard Digital Power Player 2019
• Alandis Brassel – Entertainment Attorney, Manager, Assistant Professor of Music Business – University of Memphis
• Cheryl Potts – CEO, Cleerkut Royalty
• George Monger – CEO, Connect Music
1:30pm – 2:30pm – Networking Lunch sponsored by BMI Nashville
2:30pm-4:30pm – The Black Opry Experience – A conversation with the founder of Black Opry, artist conversations, and acoustic performances. Hosted by Gina Miller (SVP & General Manager, MNRK Music) and Kortney Toney (Marketing, Inclusion & Outreach Manager, Naxos of America)
4:30pm-6pm – Closing Reception sponsored by The MLC
Members of The MLC can learn more and reserve your spot at http://www.themlc.com/fortheculture
[Video] Recording of Panel ‘How Credits Improve Contributor Identification and Payment’ from DDEX Virtual Creator Credit Summit 2020
Here is the recording of the panel on which I spoke at the DDEX Virtual Creator Credit Summit 2020.
How Credits Improve Contributor Identification and Payment
Dae Bogan To Join Other Music Industry Experts At US Copyright Office Symposium On Unclaimed Royalties Study in Washington, D.C.
I am honored to announce that on December 6th, three weeks from today, I will be representing the US independent music creators community at a symposium in Washington, D.C. at the The Library of Congress.
A few weeks ago, I was invited by the newly appointed Copyright Royalty Judge, Steve Ruwe, to speak at the Copyright Office’s symposium on unclaimed royalties at The Library of Congress. As a CRJ, Mr. Ruwe is among just three judges who are responsible for setting the royalty rates that all songwriters in the world are paid for the use of their songs in the United States.
Last year, my 2016/2017 research titled “The State of Unclaimed Royalties and Music Licenses in the United States,” — research that led me to founding the world’s first search engine of unclaimed music royalties and licenses and a gateway to initiate claims, RoyaltyClaim (acquired by HAAWK Inc.) — was referenced, and I was personally consulted, by the United States Congressional Budget Office during its analysis of the economic impact of the then-current bill, Music Modernization Act. That bill became law in October 2018 and is now known as the Orrin G. Hatch–Bob Goodlatte Music Modernization Act 2018 (MMA or Music Modernization Act for short).
I have been fighting to ensure that independent and unsigned self-published songwriters are recognized, empowered, and represented in the US music industry for over a decade now. My first break-through was conceptualizing and co-founding TuneRegistry, which enables self-published songwriters to administer their catalog and unlock performance and mechanical royalties while keeping 100% of their copyrights and 100% of their royalties. TuneRegistry has helped thousands of self-published lyricists, composers, producers, and singer-songwriters protect their copyrights and unlock hundreds of thousands, if not millions, of dollars in unpaid and current royalties as well as enter into direct licensing deals with digital music services and social media platforms.
I look forward to discussing how the Copyright Office will develop outreach and messaging strategies to reach and engage self-published music creators and I hope to ensure that these creators continue to have a voice in the room, if not a SEAT AT THE TABLE.
US Copyright Office Announcement: https://www.copyright.gov/newsnet/2019/784.html
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