[Podcast] Copyright Clearance Center Adds Recording Of “View From The Top: The Future Of Machine-To-Machine Rights Management” Panel Discussion From RightsTech Summit 2017 To Its Beyond The Book Podcast
“View From The Top: The Future Of Machine-To-Machine Rights Management” panel at RightsTech Summit in New York
Left to Right: Dae Bogan (CEO, TuneRegistry), Benji Rogers (CEO, dotBlockchain Music), Michael S. Simon (President of Rumblefish & CEO of Harry Fox Agency), Michael Shanley (Vice President of IT Business Development, Music Reports)
Machine-to-machine communication is the ideal scenario if we want to enable on a global scale, with as little friction as possible and at a reasonable cost, the licensing of works and the payment of royalties to rightsholders. That at least is the stated premise for a recent discussion at the annual RightsTech Summit conference.
But how far have we come? How close are we to achieving a digitized business environment for rights and royalties that is as fully realized as we see today in media distribution and consumption? Until code entirely does away with contracts will human beings will continue to add a value that no machine ever can?
“I think all of this starts with a human being. No matter what technology we apply to these systems, if a person doesn’t know how to interact or create the data that they need to disseminate, it’s just not going to get there,” said Michael Shanley of Music Reports. Technology evolves all the time, and I think we’re getting to great places in technology. But education and information is, I think, paramount.”
Panelists for the session moderated by CCC’s Chris Kenneally included Dae Bogan co-founder & CEO of TuneRegistry, a music and rights metadata management platform; Benji Rogers, a British-born, New York-based entrepreneur, who co-founded the Dot Blockchain Music Project, an attempt to create a de-centralized global registry of music rights using blockchain technology; Michael S. Simon, President of Rumblefish, a world leader in music micro-licensing and YouTube monetization and also CEO of the Harry Fox Agency LLC, the nation’s leading provider of rights management, licensing and royalty services for the music industry; and Michael Shanley, Vice President of IT Business Development at Music Reports, developers of proprietary databases and software applications that facilitate music rights administration.
Listen here.
Dae Bogan Joins Los Angeles County Bar Association’s Panel Event On Unpaid Royalties
PROGRAM DESCRIPTION
In an era of ever-changing revenue streams, how can musicians make sure they receive the royalties they are entitled to? One of the most commonly litigated issues in lawsuits filed on behalf of musicians concerns artists not being compensated for their work. Join us for a lively discussion featuring advice for musicians (and those representing them) from top legal minds Bill Colitre and Eric Bjorgum, and cautionary tales from songwriter/recording artist Tommy Victor, of the rock bands Prong and Danzig. Speakers:
A. Eric Bjorgum, Karish & Bjorgum, PC
William B. Colitre, Esq., Music Reports
Tommy Victor, Prong and Danzig
Dae Bogan, TuneRegistry and Royalty ClaimModerator:
Meghan Moroney, Meghan M. Moroney, Esq.Location:
Lawry’s Restaurant
100 N. LaCienega Blvd
Los Angeles, CA 90211Time:
Registration: 11:45 a.m. – 12:30 p.m.
Program: 12:30 – 1:30 p.m.CLE Credit:
1 Hour of General CLE CreditParking:
Parking is complimentary.Prices:
CLE+ Cardholders with Meal Free ELIP Section Members $55.00 LACBA Members $70.00 All Others $105.00 Law Students $35.00 *CLE+ Members can purchase the meal below for an additional $45.00.
REGISTRATION CODE – 102417ELI
Dae Bogan To Speak At RightsTech Summit – September 17 – New York, NY
RightsTech Summit – September 17 – New York, NY http://rightstechsummit.com/
VIEW FROM THE TOP: THE FUTURE OF MACHINE-TO-MACHINE RIGHTS MANAGEMENT
If licensing and royalty payments are ever to be managed with the same machine-to-machine efficiency as media distribution and consumption, rights information must be put into machine-readable formats. A panel of senior executives from across media sectors to discuss the status of various initiatives to get rights information into machine-readable form, the challenges they’re facing, and how close or far we are from reliable machine-to-machine rights clearances.
PANELISTS:
Dae Bogan, Co-founder and CEO, TuneRegistry
Christopher Kenneally, Director, Business Development, Copyright Clearance Center
Benji Rogers, CEO, dotblockchain Music
Michael Shanley, Vice President of IT Business Development, Music Reports
Michael Simon, President & CEO, Rumblefish
MODERATOR: Christopher Kenneally, Copyright Clearance Center
TuneRegistry presents “Rights & Metadata in the Evolving Digital Music Space” #SXTuneRegistry #SXMetadata #SXSW
TuneRegistry presents “Rights & Metadata in the Evolving Digital Music Space” http://schedule.sxsw.com/events/PP62361
#SXTuneRegistry #SXMetadata #SXSW
Dae Bogan To Moderate Panel On Music Rights And Micropayment Systems At UCLA Center For Music Innovation’s Music 2020 Day Event
Please Vote For My SXSW Panel Idea
For the past two years, I’ve been mentoring music and music tech entrepreneurs at SXSW. From music app founders to indie bands to artist managers, I’ve given my time to provide advice and guidance to awesome people working to improve their careers or businesses.
Over the last year, I’ve focused a great deal of my time on the issues surrounding rights and metadata in the music industry. My research and work has culminated in the launch of my startup, TuneRegistry, which enables music creators and rights-holders to manage their music catalogs and register their rights and metadata all in one place. We believe that by empowering music creators with a tool to organize accurate metadata and streamline the rights registrations processes, the music industry as a whole will be better accountable to artists and writers.
This summer I had the honor of teaching a course at the UCLA Music Innovation Summer Institute on the music tech business. During the program, I curated and moderated a panel on rights and metadata and invited representatives from Music Reports, Crunch Digital, BuzzAngle Music, and the co-founder of TuneRegistry to speak on the challenges we’re seeing in the digital music space. The panel went so well that I was encouraged to submit the panel to SXSW.
I am happy to say that the panel, along with the original speakers — Bill Colitre (Music Reports), Keith Bernstein (Crunch Digital), Jim Lidestri (BuzzAngle Music), and Jesse Morris, Esq. (TuneRegistry) — is up for consideration for SXSW 2017.
Please take a moment to check out the panel idea, comment, and vote at http://panelpicker.sxsw.com/vote/62361.
Execs From TuneRegistry, Music Reports, Crunch Digital, And BuzzAngle Music To Co-Panel Discussion On Music Rights & Metadata At UCLA
The UCLA Herb Alpert School of Music’s Center for Music Innovation presents an evening panel “The Significance of Rights and Metadata in the Evolving Digital Music Ecosystem.”
As the music industry continues to be shaped and advanced by digital innovations, stakeholders face new and unforeseen business challenges. From rights holders to music licensees, data has become significantly more important to the accrual, collection, and distribution of royalties to income participants. This panel will discuss the issues relating to music rights and metadata in the digital music age and evaluate some of the ways in which these issues are being addressed by companies, music creators, and collective societies in the United States and abroad.
When: Thursday, July 7th at 6pm
Where: UCLA Herb Alpert School of Music
Panelists:
Jesse Morris, Morris Music Law/TuneRegistry
Bill Colitre, Music Reports
Keith Bernstein, Crunch Digital
Jim Lidestri, BuzzAngle/Border City Media
Moderator: Dae Bogan, TuneRegistry; Lecturer, UCLA Herb Alpert School of Music
Register for free at https://www.eventbrite.com/e/the-significance-of-rights-and-metadata-in-the-evolving-digital-music-ecosystem-tickets-25898722777
Independent Artists: TuneRegistry Wants To Help You Register Your Music Rights
After months of planning, we are finally excited to release additional information about TuneRegistry.
TuneRegistry is an easy-to-use and cost-effective solution to streamline music rights registrations and metadata delivery. We’re building TuneRegistry for the independent music community — to empower you with a powerful, yet simple, platform to manage your music catalog and associated rights administration all in one place.
Who is TuneRegistry for?
From indie artists and artist managers to indie record labels and music publishers, we believe that the any music creator and rights owner within the independent music community will find value in TuneRegistry’s suite of tools and services. Even music attorneys like us!
We are currently seeking private beta testers from the independent music community. Request an invite.
Infograph: Understanding U.S. Music Royalties
The Music Business Association (Music Biz) published an infographic, “Music Royalties USA Quick Start Guide,” which gives songwriters and performing musicians a simple way to understand the complex framework they must navigate to receive proper payment for their work.
Click to enlarge and download.
The document illustrates how royalties are handled for songwriters, publishers, and performers in various media, such as Physical Products and Download Sales, Radio & TV, Satellite & Cable Radio, Non-Interactive Streaming Radio, On-Demand Streaming Music Services, and Synchronization – Movies, TV, Games, Etc. The infographic also explains some of the more misunderstood jargon related to royalties and tells songwriters, publishers, and performers exactly which entities they need to register with.
“Because the rules governing music royalties are so complex and differ so greatly from one medium to another, many artists are leaving a significant amount of money on the table without even knowing it,” said Bill Wilson, Vice President of Digital Strategy and Business Development at Music Biz. “This infographic arms songwriters, publishers, and performers with the knowledge they need to ensure they get everything they are owed, allowing them to get back to what they do best: making music. We’d also like to thank our Affiliate Partners ASCAP, BMI, The Harry Fox Agency (HFA), The Recording Academy, SESAC, and SoundExchange, who all helped review the infographic to ensure it fully captured the process.”
The “Music Royalties USA Quick Start Guide” is the latest in a series of informational infographics that affirm Music Biz’s commitment to the artist community by providing vital information needed to understand how the music industry works and tips to get the most out of the services available to them. Previous entries include the “Global Music Licensing Quick Start Guide,” “SEO for Music Websites,” the “Artist Website Toolkit,” and more.
The infographic is available for free and can be viewed as a JPG or PDF.
Source: http://musicbiz.org/press-releases/music-biz-decodes-u-s-music-royalties-new-infographic/
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