In the wake of the world’s response to COVID-19, thousands of tours, club shows, concerts and festivals have been cancelled or postponed. This has directly impacted the livelihoods of music creators and the professionals who make it possible to bring these experiences to life. In these uncertain times, there is one thing for certain: there is financial assistance.
Here are 4 ways to offset lost income now:
1. RECEIVE DONATIONS – Post your lost gig on http://www.ilostmygig.com where good samaritans may donate to help you offset lost income (all roles matter; from artist/band to sound engineer to stage manager to caterer).
2. SELL MERCH – Sale unsold merch on http://www.missedtour.org
4. GET A GRANT – Apply for one of many grants and scholarships as MusiCares and Live Nation Music Forward Foundation, among others.
3. GET AN ADVANCE – Get an advance on future streaming royalties via Stem Scale at http://www.stem.is/scale or an advance on future performance and/or mechanical royalties at http://www.lyricfinancial.com
Take action now before these resources are overwhelmed and exhausted.
A lot more opportunities are being curated at IG @daeboganmsuic
Dae Bogan To Move All 2020 Music Industry Talks, Lectures, Workshops To Online Format — Limited Passes Available Now
Due to the unfortunate cancellation of music industry conferences, university classes, and networking events where I was previously scheduled to speak, I will be reformatting and moving several of my talks, guest lectures, and workshops to online formats. This will allow me to reach more individuals in an economical and safe manner.
I will schedule up to 10 different online events to take place this Spring/Summer (April – July) on a variety of topics aimed at recording artists, artist managers, producers and engineers, DJs, background vocalists and session musicians, music company startup founders, and more.
I am offering three passes, which includes your ability to attend multiple online events from the available schedule of events (schedule will be announced on April 1).
Early bird pricing ends on March 31. Prices will increase after March 31.
DAE BOGAN 2020 MUSIC INDUSTRY ONLINE EVENT PASSES:
- Silver Pass – $50 (100 available) – Attend up to 2 online events in 2020. (Get Pass Here)
- Gold Pass – $100 (100 available) – Attend up to 5 online events in 2020. (Get Pass Here)
- Platinum Pass – $250 (100 available) – Attend up to 5 online events in 2020 and schedule a 30 minute one-on-one consultation with me following any of the events. (Get Pass Here)
The schedule of events will be announced on April 1st, 2020.
Want to do a 1-on-1 with me now? Learn more here.
In 2015, a few months after ending my last romantic relationship and just as I was turning 30, I decided to try a social experiment on myself. I decided to see what I could achieve in my professional life by sacrificing something big in my personal life. I decided to make myself completely emotionally unavailable for a romantic relationship. I wanted to see what happens, for me, when I direct 100% of my cognitive energy to my professional life and zero to pursuing and developing a romantic relationship.
Here is what happened during my 5 years relationship hiatus:
I earned a masters degree in Music Industry Administration; I developed and sold 3 music tech startups; I paid off student loans for 3 degrees; I spoke at over 100 music industry conferences, podcasts, and web series; I wrote extensively on music business and music rights and have been syndicated, cited, or interviewed dozens of times in some of the top music industry magazines, blogs, and books; I developed and taught music industry curriculum and have guest lectured at universities; I conducted research that was used by the US government in its economic analysis on the most important piece of music industry legislation in decades (MMA) and was invited to speak at the Library of Congress for a US Copyright Office symposium; I was named a Billboard’s “Digital Power Players 2019” and appeared in its 125th anniversary issue with Paul McCartney on the cover; I helped hundreds of music creators, entrepreneurs, and rights-holders with their careers, businesses, and catalogs through mentorship, consulting, and creating free resources at daeboganmusic.com. And I’ve developed relationships with amazing music industry professionals in every sector of the industry from around the world.
In 5 years, I transformed my career and have accomplished professional milestones that I never could have imagined. That was an incredibly overwhelming, stressful, challenging, and exhilarating ride.
Today I turn 35. 🥳 I’ve amassed an incredible amount of knowledge and contacts in the music industry and will be spending the coming weeks deciding what I will do next (something moderate).
Also, I’m back on the market. 😎
After five passionate years of developing and operating one of the most important music rights administration companies that empowered thousands of DIY music creators and small to medium-sized rights-holders from around the world to “take back their rights” and unlock millions of dollars in unclaimed and unmatched royalties, I am humbled to announce that my journey with TuneRegistry has come to an end.
I want to thank every DIY music creator and artist manager who’ve flooded my inboxes with questions about music publishing, copyright administration, royalties, and licenses over the years. Your curiosities became source material for the ways in which my products evolved over time. From launching our relationship with Harry Fox Agency to enable you, for the first time, to unlock your Spotify mechanical royalties to onboarding Gracenote and TiVo to help you deliver and enrich your metadata in the digital music ecosystem, if it weren’t for the valid challenges that you faced and the ways in which you felt dismissed or overlooked by the music industry establishment I would have never had the courage and strength to found TuneRegistry and RoyaltyClaim.
We were disruptors.
I will be spending the coming weeks reflecting on the work that we did over the years, which led to my being named a Billboard “Digital Power Players 2019,” and explore opportunities where my journey may take me next.
Music Creators’ Rights Advocate
Last week, I joined dozens of music industry experts to discuss important topics related to the operations of the forthcoming Mechanical Licensing Collective at the U.S. Copyright Office’s Unclaimed Royalties Study Kickoff Symposium at The Library of Congress in Washington, D.C.
I am honored to announce that I have been named a Billboard’s 2019 Digital Power Players for my work in empowering thousands of independent music creators with the tools and resources to self-administer their music copyrights and unlock millions of dollars in royalties all while retaining 100% of their copyrights and 100% of their royalties.
In two weeks, I will be joining fellow music industry executives and experts at the United States Library of Congress in Washington, D.C. to speak at the US Copyright Office’s Symposium for Unclaimed Royalties Study in advance of the launch of the government-sanctioned Mechanical Licensing Collective, which will administer music royalties for the global songwriter community when their songs are streamed in the United States. I am charged with helping the government frame its messaging, outreach and communications strategy to the thousands of songwriters who are often left out of the conversations. I can’t wait to create a seat at the table for them — for the indies!
You can view the entire Billboard 2019 Digital Power Players list in the November 16 issue of the printed publication and online here: https://www.billboard.com/articles/business/8543390/2019-digital-power-players-list
Dae Bogan To Join Other Music Industry Experts At US Copyright Office Symposium On Unclaimed Royalties Study in Washington, D.C.
I am honored to announce that on December 6th, three weeks from today, I will be representing the US independent music creators community at a symposium in Washington, D.C. at the The Library of Congress.
A few weeks ago, I was invited by the newly appointed Copyright Royalty Judge, Steve Ruwe, to speak at the Copyright Office’s symposium on unclaimed royalties at The Library of Congress. As a CRJ, Mr. Ruwe is among just three judges who are responsible for setting the royalty rates that all songwriters in the world are paid for the use of their songs in the United States.
Last year, my 2016/2017 research titled “The State of Unclaimed Royalties and Music Licenses in the United States,” — research that led me to founding the world’s first search engine of unclaimed music royalties and licenses and a gateway to initiate claims, RoyaltyClaim (acquired by HAAWK Inc.) — was referenced, and I was personally consulted, by the United States Congressional Budget Office during its analysis of the economic impact of the then-current bill, Music Modernization Act. That bill became law in October 2018 and is now known as the Orrin G. Hatch–Bob Goodlatte Music Modernization Act 2018 (MMA or Music Modernization Act for short).
I have been fighting to ensure that independent and unsigned self-published songwriters are recognized, empowered, and represented in the US music industry for over a decade now. My first break-through was conceptualizing and co-founding TuneRegistry, which enables self-published songwriters to administer their catalog and unlock performance and mechanical royalties while keeping 100% of their copyrights and 100% of their royalties. TuneRegistry has helped thousands of self-published lyricists, composers, producers, and singer-songwriters protect their copyrights and unlock hundreds of thousands, if not millions, of dollars in unpaid and current royalties as well as enter into direct licensing deals with digital music services and social media platforms.
I look forward to discussing how the Copyright Office will develop outreach and messaging strategies to reach and engage self-published music creators and I hope to ensure that these creators continue to have a voice in the room, if not a SEAT AT THE TABLE.
US Copyright Office Announcement: https://www.copyright.gov/newsnet/2019/784.html
Music payment and workflow management startup Jammber has developed a series of mobile apps that helps artists eliminate guesswork from the process of recording music ownership, allowing them to focus on doing what they love: writing music. Last month, Jammber announced that it had acquired TuneRegistry, a move that would establish Jammber as a full-service solution for creatives to both report music ownership and manage rights administration. We sat down with Jammber CEO Marcus Cobb and the company’s newly appointed SVP of Global Music Rights, TuneRegistry co-founder and CEO Dae Bogan, to discuss the acquisition and what it means for both the future of the company and the industry.
Read the full interview here.