Archive by Author | Dae Bogan

ETLA, The Research Institute Of The Finnish Economy, Publishes Report On State Of Digital Music Infrastructure – Calls For Transparency And Addresses “Black Box” Issues

etla-digital-music-industry-background-synthesis

I had the honor of being interviewed by researcher and author, Derek Sellin, for his industry report “Digital Music Industry – Background Synthesis” for ETLA Working Papers No. 48, published by Elinkeinoelaman Tutkimuslaitos – The Research Institute of the Finnish Economy.

Black boxes materialize for many reasons, including but not limited to: the inability to identify rights holders despite payments made for the use of their compositions; the lengthy time required for filing domestic and ultimately international copyrights, often begun only when a recording is actually released; multiple claims for the same rights exceeding 100% of ownership, resulting in indefinite disputes; international collaborations with less than all creators asserting their rights; international legal inconsistencies regarding what type of performances result in payments (most visible in the fact that radio play does not generate royalties for recording artists in the United States); and the slow and often manual processes to report usage and clear payments under international reciprocal agreements. – Dae Bogan

You can download the report at https://www.etla.fi/en/publications/digital-music-industry-background-synthesis/.

About ETLA
The Research Institute of the Finnish Economy (Etla) is engaged in applied economic research with emphasis on topics that are important from the Finnish point of view. The main focus is on issues that relate to productivity and drivers of its growth, to the functioning of the labour market, as well as to challenges in maintaining a balanced macro economy including sound public finances. Etla monitors economic development, compiles forecasts as well as assesses economic policy and comments on it.

Etla is a private non-profit organisation. Its operations are backed by the supporting association, the members of which comprise the Confederation of Finnish Industries and the Confederation of Finnish Industry and Employers (TT) Fund. The funding from the background organisations covers more than a third of the institute’s budget and forms a solid base for its operations. Read more.

Southern California Music Industry Professionals & Artist Managers Connect present *GRAMMY Week 2017* Music Industry Meetup | Feb. 10th

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I’m excited to announce SCMIP’s first event of 2017 in partnership with Artist Managers Connect: *GRAMMY Week 2017* Music Industry Meetup taking place Friday, February 10th from 7pm to 10pm at Bar Lubitsch in West Hollywood. Sponsored by TuneRegistry.
Come network and mingle with fellow music industry professionals.
RSVP to rsvp@daeboganmusic.com

[VIDEO] Independent Music Industry Conference Panel Live Video

imi-conference

If you missed the inaugural Independent Music Industry Conference, produced by Mike Ziemer, producer of the So What Music Festival, you missed a very cool and informative boutique event. But, don’t worry! Below are the live videos from the Record Label panel and the Music + Technology panel, both moderated by me.

Record Label Panel

Music + Technology Panel

If you can’t view this video, click here.

Music Subscriptions Passed 100 Million In December. Has The World Changed?

Brief, yet interesting, data-driven analysis on the impact of streaming.

Mark Mulligan's avatarMusic Industry Blog

In streaming’s earlier years, when doubts prevailed across the artist, songwriter and label communities, one of the arguments put forward by enthusiasts was that when streaming reached scale everything would make sense. When asked what ‘scale’ meant, the common reply was ‘100 million subscribers’. In December, the streaming market finally hit and passed that milestone, notching up 100.4 million subscribers by the stroke of midnight on the 31st December. It was an impressive end to an impressive year for streaming, but does it mark a change in the music industry, a fundamental change in the way in which streaming works for the music industry’s numerous stakeholders?

Streaming Has Piqued Investors’ Interest

The streaming market was always going to hit the 100 million subscriber mark sometime around now, but by closing out the year with the milestone it was ahead of schedule. This was not however entirely surprising as the…

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Dae Bogan’s New Year 2017 Announcements

2017

I am excited to share with you some new developments and updates for 2017:
 
– My music rights tech startup, TuneRegistry, will launch version 1.1 with new features in the coming weeks. Learn more at http://www.tuneregistry.com.
 
– I have joined the advisory board of two interesting music industry startups: ethr (ethr is a live feed service, allowing anyone to listen to the same music – friends, influencers, or celebrities are listening to, live, in real time. Learn more at http://www.ethrmusic.com) and Spectrvm (The Spectrvm pack lets you physically feel live music by vibrating the bass frequencies throughout your body in real time. Learn more at http://www.spectrvm.co).
 
– I am an advisor to the founder of FestEvo (Our app centralizes all the tools FestivalGoers need to have their best festival yet.Explore lineups, discover artists, customize schedules #FestivalBetter. Learn more at http://www.featevo.com) on a number of music festival related ventures.
 
– I have co-developed and will co-instruct a class on innovation and entrepreneurship in the music industry to graduate students earning a master of arts degree at CSUN Music Industry Administration.
 
– I will expand my role as Innovation Fellow at the UCLA Center for Music Innovation and I will potentially develop and teach a new course on music industry entrepreneurship at UCLA Herb Alpert School of Music for Summer 2017.
 
– I will launch a series of online music business courses and a DIY music business workshop series in Spring 2017.
 
– I will provide business and career mentorship to indie artists and music entrepreneurs, and I will moderate a panel on music rights and metadata at SXSW. If you’re going to SXSW Music, add my panel to your schedule http://schedule.sxsw.com/2017/events/PP62361.
 
– I will organize more gatherings this year for Southern California Music Industry Professionals, a network of music industry professionals that I lead.
 
– I will increase my work with The Recording Academy / The GRAMMYs, specifically in the Advocacy division where we focus on music creator rights and supporting legislation that enhances the livelihood of music creators.
 
– My website www.DaeBoganMusic.com will get a complete design overhaul.
 
Here’s to 2017!
 
Dae Bogan