Dae Bogan to Join Panel On New Markets & Innovation In The Music Industry at Music Biz 2024
I am looking forward to participating on the panel “10X: How New Markets & Innovation Can Help The Music Industry Grow Tenfold” at this year’s Music Biz in Nashville.
Panel Description: The under monetization of music has become a recurring narrative in today’s industry, with economists, technologists, investors and rightsholders excited about its opportunity for growth. Figures from Goldman Sachs state that by 2030, the music industry will be worth $50.1bn annually, whilst commentators in the creative industries point to music’s peers in videogames (estimated at over $340 billion), TV and film (jointly estimated at over $280 billion) to understand the potential for copyright exploitation. Radical, IP-centric innovation is the answer to closing this gap and fulfilling our potential. The panel will discuss how to propel the industry’s revenues to unprecedented heights, finding new uses for under-exploited copyrights and developing new business models, licensing processes and pricing strategies to present these opportunities to customers. It will also examine the important data engineering groundwork that needs to take place to facilitate this in terms of standards-based, high quality, timely metadata from rightsholders.
Moderated by Chantal Epp, Founder & CEO, ClicknClear
Speakers:
• Dae Bogan, Head of Third-Party Partnerships, The MLC
• Chelsea Johnson, Sr. Director Global Digital Operations, Kobalt
• David Knox, President, Reactional Music
Learn more at http://www.musicbiz.com
Dae Bogan to Join Panel On The Future of Music Publishing & AI at Canadian Music Week 2024
I’m coming to Toronto 🇨🇦 for Canadian Music Week June 2-5!!
I am looking forward to speaking on the panel “Harmony & Code: The Future of Music Publishing in the AI Era” on June 3rd at 12 PM. Tap in if you’ll be there!
Harmony & Code: The Future of Music Publishing in the AI Era
Join us for a compelling panel discussion where we explore the transformative impact of technology on the music publishing industry. This session will explore critical questions at the intersection of tech and music: What implications does AI have for the roles of music publishers and artists alike? What tools do artists need to thrive in this new landscape? We’ll examine the future of copyright laws, ponder the necessity of new rights, and debate how technology can coexist with music without exploiting creators. Don’t miss this essential conversation on the evolution of music rights in the digital age, designed for publishers, tech companies, and artists ready to navigate these changes.
Moderated By: Cole Davis Founder & CEO Switchchord
- Chris Dampier, Head of North America – Sentric Music
- Dae Bogan, Head of Third-Party Partnerships – The Mechanical Licensing Collective
- Paul Shaver, President – CMRRA (Canadian Musical Reproduction Rights Agency Ltd) and SX Works
- Virginie Berger, Chief Business Development and Rights Officer – Matchtune
Learn more at https://cmw.net/
Celebrating 1 Year In Colombia, 4 Years With The MLC, And Announcing Music Biz 2024 Panel
May 1 🎉
Today marks the one year anniversary since I officially moved to Medellin, Colombia 🇨🇴(May 1, 2023) and 4 years since I joined The Mechanical Licensing Collective 🎼 as its Head of Third-Party Partnerships (May 1, 2020).
I am proud of having built a small sense of community here in Medellin with care and intention while simultaneously expanding the impact of my work in the global music industry, particularly by spearheading grassroots outreach initiatives in Latin America and by developing The MLC’s Distributor Unmatched Recordings Portal aka The DURP (www.themlc.com/durp). The DURP has had a direct positive impact on the livelihoods of hundreds of independent artists around the world 🌎 by empowering independent music distributors with data transparency and insights into the music publishing sector.
As a result of this work, I am proud to be named a finalist in the Maestro of Metadata category for this years Music Business Association’ Bizzy Awards and I look forward to joining industry colleagues in Nashville in two weeks for the #MusicBiz2024 conference and the Bizzy Awards dinner.
I will also be speaking on the panel “10X: How New Markets & Innovation Can Help The Music Industry Grow Tenfold” on Tuesday, May 14. Drop in! http://www.musicbiz2024.com
Join Us For BeatMix: Miami and Florida Songwriters Association Workshop
MIAMI – Let’s get to work!
I will be conducting two music business workshops in Miami this month:
Friday, April 19th – BeatMix: Miami (FREE w/ RSVP)
Friday, April 20th – 5th Annual Florida Songwriters Workshop (TICKETS AVAILABLE)
See you there!
Dae Bogan At SXSW 2024
SXSW 2024
🔸Tue. March 12th – 1PM-1:40PM – Mohawk
Join me for my panel “Know Your Rights: Managing Your Music Licensing Portfolio” at SXSW with Give A Note Foundation Artist For Artist Artist For Action for TAKE ACTION x SXSW Mohawk Austin! Music for Good. #takeactionsxsw
RSVP: artistforartist.com/sxsw
🔹Wed. March 13th – 2:45PM-3:15PM – South Congress Hotel
Join me for my panel “WTF Is Music Publishing?!” at SXSW at TuneCore’s ATX Artist & Industry Mixer hosted by XBValentine.
RSVP: https://www.tunecore.com/forms/24-03-13-atx-mixer-2024
🔸Fri. March 15th – 10AM-1:30PM – Hotel Van Zandt
Come say “hi” to me at The Mechanical Licensing Collective table at the Broadcast Music, Inc. (BMI) Brunch at SXSW.
Dae Bogan to Conduct Workshop ‘From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop’
I am thrilled to announce the first of a series of in-person music rights and royalties workshops that I will be conducting in Nashville, Miami, and New York this year:
From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop
🗓️ June 22nd • 4pm-6pm
📍 The Mechanical Licensing Collective in Nashville, TN
🎫 Free with Registration
Description:
“From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop” is an interactive workshop specifically designed for aspiring Hip-Hop and R&B music creators.
Presented by The MLC and Nashville is Not Just Country Music and led by Dae Bogan, Head of Third-Party Partnerships at The MLC, the workshop will take creators through a crash course demystifying the intricate world of music rights, income entitlements, publishing administration and the distribution of U.S. digital music royalties.
Through a series of individual and group simulations, participants will delve into various facets of the industry including contribution and credit tracking, negotiation of splits, the impact of samples on copyrights and royalties, work registrations and the process of claiming royalty shares.
Participants will gain a deeper understanding and appreciation of how song and recording contributions translate into royalty payments from The MLC and other organizations.
The workshop will take place at The MLC’s office in Nashville on June 22 from 4 p.m. to 6 p.m. CT. Tune in by registering at https://www.eventbrite.com/e/the-mlc-ninjcm-present-from-beat-to-bank-workshop-tickets-637622174087
The MLC to Celebrate Black Music Month with ‘For The Culture’ One-Day Summit in Nashville
June is BLACK MUSIC MONTH! I am thrilled to announce something I’ve been developing for months now:
The Mechanical Licensing Collective and Nashville Music Equality presents For The Culture: Empowering Black Music Creators to Achieve Beyond Reach
🗓 Tuesday, June 21st
⏰ 10am to 6pm
📍 The Mechanical Licensing Collective (Nashville)
Join us for this one-day summit celebrating the evolution of Black Music and its unique and ever-growing impact on the music industry. The event will feature panels designed specifically for Black music creators that both explore creative business strategies and examine the overall royalty landscape, networking opportunities for attendees and a host of live music performances.
◾️AGENDA◾️
10:00am – Check-In
10:30am-11:00am – Opening Discussion: “How Did We Get Here? A Coffee Conversation on the Evolution of Black Music” – The day will kick-off with a conversation to set the tone for the events ahead. Grab a cup of coffee and sit in as three music industry executives discuss the influence of African Americans on popular music. What’s in a genre? Looking to the evolution from Ragtime > Blues > Jazz > R&B > Rock & Roll > Hip-Hop; the commercialization of Black music and the exploitation of Black artists; and more.
Panelists:
• Dae Bogan (Moderator) – Head of Third-Party Partnerships, The Mechanical Licensing Collective and Billboard Digital Power Player
• Brennen Boose – Senior Manager of Marketing and Communications National Museum of African American Music
• Shannon Sanders – Executive Director of Creative, BMI Nashville and 3X GRAMMY Award-Winning Producer
11:15am-12:15pm – “Breaking Through the Noise: Creative Business Strategies for Black Music Creators”
Panelists:
• Shannon Sanders (Moderator) – Executive Director of Creative, BMI Nashville and 3X GRAMMY Award-Winning Producer
• Derek Minor, Grammy Award-winning artist and producer. Co-Founder of We Own Now as well as hip-hop record label Reflection Music Group (RMG)
• Mimi McCarley, Founder of Collab Music Network & Co-Founder of Nashville is Not Just Country Music and We Own Now
12:30pm-1:30pm – “Black Dollars: Unlocking U.S. Digital Music Royalties for Black Music Creators” – Be prepared to take notes and ask questions as this informative panel of music business experts dive into the fundamentals (copyright ownership and publishing), royalty streams (interactive, non-interactive, downloads), post-MMA era rights and entitlements, songwriter challenges, Digital Music Royalties Landscape, and more.
Panelists:
• Dae Bogan (Moderator) – Head of Third-Party Partnerships, The Mechanical Licensing Collective and Billboard Digital Power Player 2019
• Alandis Brassel – Entertainment Attorney, Manager, Assistant Professor of Music Business – University of Memphis
• Cheryl Potts – CEO, Cleerkut Royalty
• George Monger – CEO, Connect Music
1:30pm – 2:30pm – Networking Lunch sponsored by BMI Nashville
2:30pm-4:30pm – The Black Opry Experience – A conversation with the founder of Black Opry, artist conversations, and acoustic performances. Hosted by Gina Miller (SVP & General Manager, MNRK Music) and Kortney Toney (Marketing, Inclusion & Outreach Manager, Naxos of America)
4:30pm-6pm – Closing Reception sponsored by The MLC
Members of The MLC can learn more and reserve your spot at http://www.themlc.com/fortheculture
[Video] Recording of Panel ‘How Credits Improve Contributor Identification and Payment’ from DDEX Virtual Creator Credit Summit 2020
Here is the recording of the panel on which I spoke at the DDEX Virtual Creator Credit Summit 2020.
How Credits Improve Contributor Identification and Payment
Dae Bogan To Join Other Music Industry Experts At US Copyright Office Symposium On Unclaimed Royalties Study in Washington, D.C.
I am honored to announce that on December 6th, three weeks from today, I will be representing the US independent music creators community at a symposium in Washington, D.C. at the The Library of Congress.
A few weeks ago, I was invited by the newly appointed Copyright Royalty Judge, Steve Ruwe, to speak at the Copyright Office’s symposium on unclaimed royalties at The Library of Congress. As a CRJ, Mr. Ruwe is among just three judges who are responsible for setting the royalty rates that all songwriters in the world are paid for the use of their songs in the United States.
Last year, my 2016/2017 research titled “The State of Unclaimed Royalties and Music Licenses in the United States,” — research that led me to founding the world’s first search engine of unclaimed music royalties and licenses and a gateway to initiate claims, RoyaltyClaim (acquired by HAAWK Inc.) — was referenced, and I was personally consulted, by the United States Congressional Budget Office during its analysis of the economic impact of the then-current bill, Music Modernization Act. That bill became law in October 2018 and is now known as the Orrin G. Hatch–Bob Goodlatte Music Modernization Act 2018 (MMA or Music Modernization Act for short).
I have been fighting to ensure that independent and unsigned self-published songwriters are recognized, empowered, and represented in the US music industry for over a decade now. My first break-through was conceptualizing and co-founding TuneRegistry, which enables self-published songwriters to administer their catalog and unlock performance and mechanical royalties while keeping 100% of their copyrights and 100% of their royalties. TuneRegistry has helped thousands of self-published lyricists, composers, producers, and singer-songwriters protect their copyrights and unlock hundreds of thousands, if not millions, of dollars in unpaid and current royalties as well as enter into direct licensing deals with digital music services and social media platforms.
I look forward to discussing how the Copyright Office will develop outreach and messaging strategies to reach and engage self-published music creators and I hope to ensure that these creators continue to have a voice in the room, if not a SEAT AT THE TABLE.
US Copyright Office Announcement: https://www.copyright.gov/newsnet/2019/784.html
Dae Bogan To Speak At A3C Conference
I look forward to joining Marcus Cobb at this year’s A3C Conference to present “Ownership & Song Registration in the Palm of Your Hand” on Saturday, October 12th, at 2:30pm.
Presentation Description: In this digital age of music, songs have the ability to go from conception to the public in the blink of an eye. Within this new age, it has never been as vital to establish ownership and collect metadata as it is today. In short, your money depends on it! Learn how Jammber’s game-changing technology puts ownership and song registration in the palm of your hand.
***Earlier this month, Jammber announced its acquisition of TuneRegistry. The story was covered in Music Business Worldwide, Billboard, Music Connection, Digital Music News, Hypebot, and others.***
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