Tag Archive | music business

[Podcast] Aggressive Ambition: Dae Bogan’s Journey to The MLC — Gig Gab 491

[Podcast] Aggressive Ambition: Dae Bogan’s Journey to The MLC — Gig Gab 491

Dae Bogan from The MLC breaks down music royalties with Dave Hamilton on this week’s Gig Gab. From the ancient days of piano rolls to the tangled web of modern streaming, you’ll learn how mechanical royalties differ from performance rights and why most artists are leaving money on the table. The MLC—born from the Music Modernization Act of 2018—isn’t just another acronym; it’s the missing piece of the puzzle, and Dae’s been there since before the beginning, shaping the system from the inside out.

But this episode goes beyond the mechanics. Dae shares his raw, unfiltered story, from homelessness at 18 to building multiple startups and becoming a sought-after voice in music licensing. He didn’t just climb the ladder: he built it, all while staying true to his mission. You’ll hear how empathy, grit, and yes, aggressive ambition became his tools for success. Tune in, learn how not to make the mistake nearly every artist makes, and remember: Always Be Performing.

https://www.giggabpodcast.com/2025/07/21/aggressive-ambition-dae-bogans-journey-to-the-mlc-gig-gab-491/

Dae Bogan to Bring ‘The Power of Indie’ Music Business Workshop to ONErpm in Miami

Attention Miami Independent Music Community:

The Mechanical Licensing Collective and ONErpm presents
The Power of Indie: A Music Rights & Royalties Workshop for Indie Music Creators

Workshop lead by The MLC’s Head of Third-Party Partnerships, Dae Bogan

Friday, May 30th
6pm-9pm


ONErpm
226 NE 29th Street
Miami, FL 33137

Learn about:

  • Being your own music publisher.
  • The U.S. digital music royalties landscape.
  • Turning metadata into dollars.
  • Collecting multiple income streams from one release.
  • Joining The MLC and more…

RSVP Required. Limited capacity. Refreshments served.

Dae Bogan’s ‘Music Industry Entrepreneurship’ Class To Return To UCLA Summer 2019

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UCLA Summer Sessions​ has confirmed that my Billboard​-recognized course, “Music Industry Entrepreneurship,” will be offered this Summer during Session A.

UCLA, UC, and non-UC students (including individuals who are not enrolled in college anywhere) are welcome. Enrollment is now open at summer.ucla.edu.

The class will meet on Thursdays (June 27 – August 1) from 6pm to 9:50pm at UCLA Herb Alpert School of Music​ with the exception of Thursday, July 4th (there will be a total of 5 class meetings).

Course Description:

From digital-first record labels and music messaging apps to AR/VR (augmented reality / virtual reality) music experiences and blockchain-based music startups, entrepreneurs have been disrupting and innovating across the music industry since the launch of Napster in the early 2000’s. In this course, you will learn and apply principles of entrepreneurship and fundamental business strategies to the music industry. We will analyze case studies and current events and participate in critical discussions around music industry entrepreneurship. Course work will consist of developing business plans, workgroup labs, and building out infrastructure for start-ups that focus on technology and innovation in the music industry; all culminating in the pitch of a fictitious music industry company at the end of the quarter. You will also take away cautionary tales and lessons for success from founder stories presented by guest speakers of music industry start-ups and executives from established music industry companies.

 

Student Testimonial:

Without a doubt one of the most useful classes I have taken in my undergraduate career at UCLA. Professor Bogan has so much real world knowledge and knows how to convey that knowledge in a classroom setting immensely well. All the course material was invaluable to my progression and aspirations of being in the music industry. Every lecture was extremely well-prepared, with amazing guest speakers and information that I will be using for the rest of my life. Professor Bogan did a phenomenal job and I will be recommending this class to all my friends interested in music or starting their own company. Can’t say enough good things about this class. – Anonymous, Student Course Evaluation

Class Detail: https://sa.ucla.edu/ro/Public/SOC/Results/ClassDetail?term_cd=191&subj_area_cd=MSC%20IND&crs_catlg_no=0124%20%20%20%20&class_id=434415110&class_no=%20001%20%20

Why So Many Hip-Hop Producers Are Putting Business Before Beats

I shared my thoughts on music business for Hip-Hop producers in this piece by Cherie Hu for Pitchfork:

“The way many of these companies are trying to match and verify their data? Hundreds of emails,” says Dae Bogan, founder and CEO of TuneRegistry, a rights management platform for indie artists. “Many labels are still using old software and systems to manage their digital catalog, and their rights department is different from the one responsible for metadata, which is different from the one responsible for collecting royalties. There’s a lot of bureaucracy involved.”

Read the full piece here.