Dae Bogan To Lead Seminar “The Art And Business Of Songwriting Collabs”

New technologies and online resources have made it possible for songwriters to find and collaborate with fellow songwriters, musicians, and singers from around the world more efficiently and economically than ever before. The convenient nature of the virtual collaboration and music production ecosystem has contributed to the explosion of independent music made available on digital music services today. Accordingly, the RIAA and IFPI have both reported steady growth in independent music in the last few years.

Now, it’s your turn to get involved in the collab movement! Register to attend this insightful webinar on Thursday, June 20th, where Dae Bogan Music, Head of Third-Party Partnerships at The MLC, and Kevin McCarty, CEO and Co-Founder at We Should Write Sometime, will discuss the art and business of songwriting collabs while highlighting WSWS app features for songwriters and The MLC’s tools and resources for self-administered songwriters.

Save your spot here: https://go.themlc.com/weShouldWriteSometime2024

The MLC Announces This Year’s ‘Tuning Into Pride Roundtable’ Speakers, Curated By Dae Bogan

I had a lot of fun curating the @mlc_us 4th edition of Tuning Into Pride: An LGBT Music Industry Roundtable this year. Thank you @jaiyokoent and @cameronljungkull for agreeing to co-moderate this year’s dynamic conversation. I’m so looking forward to it next Wednesday, June 12th at 12pm PDT / 2pm CDT / 3pm EDT.

Special shoutout to Xunami Muse @xunamimuse, Star of RuPaul’s Drag Race Season 16, and your team at Prysm Talent @cander723 for agreeing to join us in full drag this year! And of course thank you to all the LGBTQIA music creators who will be adding their perspective to these important discussions.

“Tuning Into Pride: An LGBT Music Industry Roundtable” moderated by Jai Yoko @jaiyokoent, Artist Manager & Mentor and Cameron Ljungkull @cameronljungkull, CEO of Secret Spot DTLA and Co-Presenter of PopOut LA. Tune-in for a candid conversation about the issues and opportunities impacting LGBT music creators and music industry professionals. Engage in the Q&A as panelists unpack and discuss current events, their music and videos, their career journeys, the future music creator rights and representation for LGBT artists, and more.

Speakers:

  • 2AM Ricky (he/him), Recording Artist & Songwriter @2amricky
  • Bershy (she/they), Recording Artist & Songwriter @thebershy
  • Divinity Roxx (she/her), Producer & Composer @diviroxx
  • Kit Rice (he/him), CEO at KAR Records @kitriceuk
  • Nekeith Mitchell (she/her), Recording Artist & Songwriter @officialnekeith
  • Rich Bomb (he/him), Rapper & Songwriter @iamrichbomb
  • Talii (she/her), Recording Artist & Songwriter @taliimusic
  • Xunami Muse, Star of RuPaul’s Drag Race Season 16 @xunamimuse

🌈Save your spot now: https://go.themlc.com/Pride2024

Dae Bogan To Conduct Live Demo & Give Industry Update On The MLC’s DURP At A2IM Indie Week 2024

I’m coming to New York 🇺🇸 for A2IM Indie Week June 10-13 and Libera Awards 2024!!

I will be conducting a live demo of @mlc_us Distributor Unmatched Recordings Portal (DURP) on June 11th at 1 PM. I will also take meetings with music distributors and aggregators to discuss access to the DURP. Let’s connect!!

The MLC presents Distributor Unmatched Recordings Portal (DURP) Demo

Join Dae Bogan, The MLC’s Head of Third-Party Partnerships for a demo and industry update on the Distributor Unmatched Recordings Portal (DURP). The DURPenables eligible independent distributors to gain visibility into unmatched royalties that relate to streams of sound recordings they have distributed, which The MLC may have unclaimed digital audio mechanical royalties accruing.  Since its launch in 2022, the DURP has played a pivotal role in identifying and distributing hundreds of thousands of dollars in royalties to music creators globally thanks to the efforts of independent music distributors seeking ways to add value to its services to artists and labels.   Now with over 70 distributor partners representing over 2.8 million sound recordings, the DURP has become an integral part of The MLC’s data and outreach strategy.

Dae Bogan Wins Maestro of Metadata Award at Bizzy Awards during Music Biz 2024

Tonight, I won the highest honor that one can achieve in my profession, the Maestro of Metadata Award at the Bizzy Awards put on by the Music Business Association.

I am so honored to be recognized by my peers in an industry in which I’ve worked incredibly hard to consistently align my passion for music creators’ rights with a curiosity for technology and innovation in a way that creates a global impact benefiting historically underrepresented music creators. Having never worked for a major label or major publisher, every inch of progress that I’ve achieved in my career has been earned by an unwavering commitment to independent music creators and rightsholders.

I look forward to continuing to work collaboratively with my colleagues at The Mechanical Licensing Collective and the greater music industry to put the livelihoods of music creators front and center in my work.

Thank you Music Biz for such an honor.

Dae Bogan to Host The MLC’s BeatMix: Orlando For Second Year

The MLC presents BeatMix: Orlando

Join Dae Bogan, Head of Third-Party Partnerships at The MLC and Stephanie Santiago-Rolón, CEO of Elevated Music Industries at Plush Recording Studios for an upbeat night to get to know The MLC. Come mix and mingle with Orlando-area music creators and leave with new connections and key information about your rights as a creator in the United States.

Fri. May 17th | 7pm-10pm

Plush Recording Studios

1255 Belle Ave #164

Winter Springs, FL 32708

Dae Bogan to Join Panel On New Markets & Innovation In The Music Industry at Music Biz 2024

I am looking forward to participating on the panel “10X: How New Markets & Innovation Can Help The Music Industry Grow Tenfold” at this year’s Music Biz in Nashville.

Panel Description: The under monetization of music has become a recurring narrative in today’s industry, with economists, technologists, investors and rightsholders excited about its opportunity for growth. Figures from Goldman Sachs state that by 2030, the music industry will be worth $50.1bn annually, whilst commentators in the creative industries point to music’s peers in videogames (estimated at over $340 billion), TV and film (jointly estimated at over $280 billion) to understand the potential for copyright exploitation. Radical, IP-centric innovation is the answer to closing this gap and fulfilling our potential. The panel will discuss how to propel the industry’s revenues to unprecedented heights, finding new uses for under-exploited copyrights and developing new business models, licensing processes and pricing strategies to present these opportunities to customers. It will also examine the important data engineering groundwork that needs to take place to facilitate this in terms of standards-based, high quality, timely metadata from rightsholders.

Moderated by Chantal Epp, Founder & CEO, ClicknClear

Speakers:

• Dae Bogan, Head of Third-Party Partnerships, The MLC

• Chelsea Johnson, Sr. Director Global Digital Operations, Kobalt

• David Knox, President, Reactional Music

Learn more at http://www.musicbiz.com

Dae Bogan to Join Panel On The Future of Music Publishing & AI at Canadian Music Week 2024

I’m coming to Toronto 🇨🇦 for Canadian Music Week June 2-5!!

I am looking forward to speaking on the panel “Harmony & Code: The Future of Music Publishing in the AI Era” on June 3rd at 12 PM. Tap in if you’ll be there!

Harmony & Code: The Future of Music Publishing in the AI Era

Join us for a compelling panel discussion where we explore the transformative impact of technology on the music publishing industry. This session will explore critical questions at the intersection of tech and music: What implications does AI have for the roles of music publishers and artists alike? What tools do artists need to thrive in this new landscape? We’ll examine the future of copyright laws, ponder the necessity of new rights, and debate how technology can coexist with music without exploiting creators. Don’t miss this essential conversation on the evolution of music rights in the digital age, designed for publishers, tech companies, and artists ready to navigate these changes.

Moderated By: Cole Davis Founder & CEO Switchchord

  • Chris Dampier, Head of North America – Sentric Music
  • Dae Bogan, Head of Third-Party Partnerships – The Mechanical Licensing Collective
  • Paul Shaver, President – CMRRA (Canadian Musical Reproduction Rights Agency Ltd) and SX Works
  • Virginie Berger, Chief Business Development and Rights Officer – Matchtune

Learn more at https://cmw.net/

Celebrating 1 Year In Colombia, 4 Years With The MLC, And Announcing Music Biz 2024 Panel

May 1 🎉

Today marks the one year anniversary since I officially moved to Medellin, Colombia 🇨🇴(May 1, 2023) and 4 years since I joined The Mechanical Licensing Collective 🎼 as its Head of Third-Party Partnerships (May 1, 2020).

I am proud of having built a small sense of community here in Medellin with care and intention while simultaneously expanding the impact of my work in the global music industry, particularly by spearheading grassroots outreach initiatives in Latin America and by developing The MLC’s Distributor Unmatched Recordings Portal aka The DURP (www.themlc.com/durp). The DURP has had a direct positive impact on the livelihoods of hundreds of independent artists around the world 🌎 by empowering independent music distributors with data transparency and insights into the music publishing sector.

As a result of this work, I am proud to be named a finalist in the Maestro of Metadata category for this years Music Business Association’ Bizzy Awards and I look forward to joining industry colleagues in Nashville in two weeks for the #MusicBiz2024 conference and the Bizzy Awards dinner.

I will also be speaking on the panel “10X: How New Markets & Innovation Can Help The Music Industry Grow Tenfold” on Tuesday, May 14. Drop in! http://www.musicbiz2024.com

Lay-offs Hurt, But Can Be Powerful Pivotal Moments

#tbt #throwbackthursday

In 2012, I was abruptly laid off of my job as head of marketing and the music division of a retail chain. I had not seen it coming because the company was growing. It had acquired a smaller company and after some restructuring, they let go of some employees.

I had just signed a 3-year lease on a new car and a 1-year lease on a new apartment, and I was stuck with expenses that I could not afford at a time when I didn’t know what my next move would be. I was 27 years old and I didn’t have any savings.

I took that devastating situation as an opportunity to pivot and lean in to my passion in the music industry. I enrolled in a master’s degree program in music industry administration at California State University, Northridge; I downsized my life by finding someone to takeover the rest of my apartment lease and selling all of my belongings; and I rented a tiny 10’x12’ room (pictured) with a twin bed (which I was too big for) in a rundown house in Koreatown, Los Angeles (there were definitely roaches 🪳).

My willingness to downsize my life, after maintaining an appearance of stability and luxury for several years, allowed me to use the money I was making from doing consulting work to invest in building a music tech startup while taking out loans to pay for graduate school.

I would later go on to launch several music tech startups from research that had begun in that tiny stuffy room. Those startups were acquired and those acquisitions enabled me to pay off all my student loans and give financial gifts to my family members.

So much has happened in my life and career since this pivotal moment, but as I think about all of my friends who have been laid off from tech and music companies in recent months, my advice is to look at this time as a pivotal moment. I did not have the cushion of a severance package when I was laid off (just my final paycheck, which is difficult for someone living check-to-check with no savings), but I did have the ambition, self-determination, and willingness to make significant life changes to get to the next phase of my career—and I don’t regret any of it. I am better off because of it.