Dae Bogan to moderate new SoundCloud original show ‘Cloud Bar’ on Twitch Thur. May 7th at 2pm EST
Yo! I am excited to announce that SoundCloud is launching its own channel on livestreaming platform Twitch, with a slate of original programming that includes panel conversations, music sets and more…and I will be moderating the premiere of “Could Bar”.
On Thursday, May 7th, Soundcloud will begin airing its three-hour weekly live chat series “Cloud Bar,” where creators, industry execs and influencers will take on topics, like how to build a career in music, and look at new trends in music discovery, culture and more.
From self-care to the state of live music today, we’re going deep on the issues and topics that matter most to artists today. Get advice, insight and hear personal stories from the SoundCloud team and a range of experts. Check the calendar below to find out who’s on each week and what time we’re going live.
Tune in every Thursday if you want to learn more about self-care, the music media landscape and the future of “live” events – or to share some your own thoughts & advice.
This week’s guests include CAA music agents, Zach Iser and Caroline Yim; artist managers Byron Wilson, Matthew Burnett and Jordan Evans; Dae Bogan of The Mechanical Licensing Collective; XXL’s Editorial Director Georgette Cline; hip-hop entrepreneur Roger Gengo; recording artist, activist and entrepreneur, Vic Mensa; and founder and CEO of Biz 3 Publicity and ICF certified Personal/Professional Coach, Kathryn Frazier.
Soundcloud to launch live original programming on Twitch
Dae Bogan Joins The Mechanical Licensing Collective
I am thrilled to announce that I have joined The Mechanical Licensing Collective as the Head of Third-Party Partnerships.
Over the last 15 years, I have supported the independent music community as an indie artist/songwriter/producer/DJ manager, indie label owner, indie music publisher, music retailer, live music producer, educator, writer, advisor/consultant to digital media companies and rights-holders, and as a serial entrepreneur of music tech startups.
In 2018, after many years of music industry negotiations, Congress passed the Music Modernization Act (MMA) to update the way in which music creators are accounted to and paid in the United States. In 2019, the Register of Copyrights designated the Mechanical Licensing Collective (MLC) as the non-profit organization responsible for administering the blanket mechanical license—issuing licenses to digital music services such as Spotify, Apple, Amazon Music, Deezer, and Tidal—and paying out royalties to songwriters.
I’ve been involved in the MMA x MLC conversation for several years; from conducting research into the metadata issues impacting mechanical licensing in the United States in 2015 (which led to me founding TuneRegistry and RoyaltyClaim), to helping to promote a bill in 2016 that became Title 3 of the MMA, to partnering with HFA to open up more access to self-published songwriters in 2017 and streamlining that process in 2018, to speaking at the MMA Symposium in D.C. in 2019 on how the MLC can reach and serve self-published songwriters.
Now, I will serve the independent music community as Head of Third-Party Partnerships at The Mechanical Licensing Collective (The MLC) where I will lead the organization’s strategy for engaging third-party entities to support initiatives in rights administration, data management, operations, and education.
I look forward to continuing my mission to support songwriters while effecting and empowering innovation within the music industry.
On To The Next – Dae Bogan Departs TuneRegistry
Photo: Launch of TuneRegistry at SXSW Pitch Stage
After five passionate years of developing and operating one of the most important music rights administration companies that empowered thousands of DIY music creators and small to medium-sized rights-holders from around the world to “take back their rights” and unlock millions of dollars in unclaimed and unmatched royalties, I am humbled to announce that my journey with TuneRegistry has come to an end.
I want to thank every DIY music creator and artist manager who’ve flooded my inboxes with questions about music publishing, copyright administration, royalties, and licenses over the years. Your curiosities became source material for the ways in which my products evolved over time. From launching our relationship with Harry Fox Agency to enable you, for the first time, to unlock your Spotify mechanical royalties to onboarding Gracenote and TiVo to help you deliver and enrich your metadata in the digital music ecosystem, if it weren’t for the valid challenges that you faced and the ways in which you felt dismissed or overlooked by the music industry establishment I would have never had the courage and strength to found TuneRegistry and RoyaltyClaim.
We were disruptors.
I will be spending the coming weeks reflecting on the work that we did over the years, which led to my being named a Billboard “Digital Power Players 2019,” and explore opportunities where my journey may take me next.
Passionately Yours,
Dae Bogan
Music Creators’ Rights Advocate
Off To Washington D.C. For Unclaimed Royalties Study Symposium
I’m looking forward to joining music industry colleagues in Washington, D.C. tomorrow to discuss issues related to the implementation of the Music Modernization Act at the Library of Congress.
Dae Bogan Named A Billboard’s 2019 Digital Power Player
I am honored to announce that I have been named a Billboard’s 2019 Digital Power Players for my work in empowering thousands of independent music creators with the tools and resources to self-administer their music copyrights and unlock millions of dollars in royalties all while retaining 100% of their copyrights and 100% of their royalties.
Billboard November 2019 issue. 125th Anniversary Issue featuring Paul McMartney on the cover.
In two weeks, I will be joining fellow music industry executives and experts at the United States Library of Congress in Washington, D.C. to speak at the US Copyright Office’s Symposium for Unclaimed Royalties Study in advance of the launch of the government-sanctioned Mechanical Licensing Collective, which will administer music royalties for the global songwriter community when their songs are streamed in the United States. I am charged with helping the government frame its messaging, outreach and communications strategy to the thousands of songwriters who are often left out of the conversations. I can’t wait to create a seat at the table for them — for the indies!
You can view the entire Billboard 2019 Digital Power Players list in the November 16 issue of the printed publication and online here: https://www.billboard.com/articles/business/8543390/2019-digital-power-players-list
Dae Bogan To Join Other Music Industry Experts At US Copyright Office Symposium On Unclaimed Royalties Study in Washington, D.C.
I am honored to announce that on December 6th, three weeks from today, I will be representing the US independent music creators community at a symposium in Washington, D.C. at the The Library of Congress.
A few weeks ago, I was invited by the newly appointed Copyright Royalty Judge, Steve Ruwe, to speak at the Copyright Office’s symposium on unclaimed royalties at The Library of Congress. As a CRJ, Mr. Ruwe is among just three judges who are responsible for setting the royalty rates that all songwriters in the world are paid for the use of their songs in the United States.
Last year, my 2016/2017 research titled “The State of Unclaimed Royalties and Music Licenses in the United States,” — research that led me to founding the world’s first search engine of unclaimed music royalties and licenses and a gateway to initiate claims, RoyaltyClaim (acquired by HAAWK Inc.) — was referenced, and I was personally consulted, by the United States Congressional Budget Office during its analysis of the economic impact of the then-current bill, Music Modernization Act. That bill became law in October 2018 and is now known as the Orrin G. Hatch–Bob Goodlatte Music Modernization Act 2018 (MMA or Music Modernization Act for short).
I have been fighting to ensure that independent and unsigned self-published songwriters are recognized, empowered, and represented in the US music industry for over a decade now. My first break-through was conceptualizing and co-founding TuneRegistry, which enables self-published songwriters to administer their catalog and unlock performance and mechanical royalties while keeping 100% of their copyrights and 100% of their royalties. TuneRegistry has helped thousands of self-published lyricists, composers, producers, and singer-songwriters protect their copyrights and unlock hundreds of thousands, if not millions, of dollars in unpaid and current royalties as well as enter into direct licensing deals with digital music services and social media platforms.
I look forward to discussing how the Copyright Office will develop outreach and messaging strategies to reach and engage self-published music creators and I hope to ensure that these creators continue to have a voice in the room, if not a SEAT AT THE TABLE.
US Copyright Office Announcement: https://www.copyright.gov/newsnet/2019/784.html
Breaking: Jammber Acquires TuneRegistry
I am super excited about this!
I’ve been a fan of Marcus and Jammber, and they of me/TuneRegistry, since I first learned of Jammber. Over the last few years, TuneRegistry has been empowering thousands of songwriters, artists, and publishers while Jammber has been empowering producers, engineers, studios and labels. By bringing our expertise and resources together, we believe to have established the first economical end-to-end music business platform for music creations and workflow management, rights administration, and royalty processing for all music creators and rights-holders.
In the coming months, we will be working to integrate TuneRegistry into the Jammber product suite as well as beefing up the Los Angeles-based music rights administration department under my direction as Jammber’s Senior Vice President, Global Music Rights. I look forward to continuing to empower music creators and rights-holders with effective tools and resources to self-administer their catalogs via Jammber’s suite of products.
https://www.musicconnection.com/jammber-acquires-tuneregistry/
Dae Bogan To Moderate Panel On Los Angeles Music Startup Scene With Capitol360, Techstars Music, Expert DOJO, The Rattle LA, And Startup UCLA / Blackstone Launch Pad At UCLA’s Amplifying Music In Our Los Angeles Conference On| May 15th, 2019
Amplifying Music in Our Los Angeles
A Conference Amplifying and Connecting the Music Scenes of Los Angeles
Host: Center for Music Innovation at UCLA Herb Alpert School of Music
Location: Charles E. Young Research Library Auditorium, UCLA North Campus
Time: 9 am – 4:30 pm
Date: Wednesday, May 15, 2019
Cost: Free for Registered Attendees
How can we support Los Angeles’ music scene(s) and work together to continue to create something robust, diverse, and dynamic in this changing era?
This day-long conference expands the conversation of how Los Angeles can grow and connect/collaborate around its diverse music scenes. If other cities are challenged by gentrification in having vibrant live music scenes, (a) why is Los Angeles seeming to be growing, despite these difficulties and (b) how we we enhance and amplify this growth?
Background
This Conference is the second in a series of events that UCLA Center for Music Innovation is holding with this Future of Music in LA focus across 2019 across LA, so we welcome you to be involved in those programs as well.
On February 6th, the City of Los Angeles Department of Cultural Affairs held a half-day Symposium as part of its February COMPOSE LA series of events. With partners that included UCLA’s Center for Music Innovation, they brought together different voices across Los Angeles and music to talk about the future of Music in Los Angeles.
Los Angeles is a complex environment. From panels and provocations, we came up with many things that weren’t right within the overall ecosystems in terms of policy, permitting, and procedures. We also explored our very vibrant environment that seems to be growing — despite the systemic challenges.
The Invitation
We invite the community gather again on May 15th at UCLA to both expand the conversation and to add new voices into the mix. We’re going to include people joining us from video conference from other cities and locations. We’re going to include new parties — and parties with different perspectives. And we’re going to include roundtable conversations, where the conversation will come out into and with the audience.
We invite you to join us for this community event at the Charles Young Research Library at the UCLA campus. The event will be free, along with the support from our community and marketing sponsors.
The Schedule
Sessions and the full schedule will be posted mid-April.
FREE REGISTRATION (INCLUDING ONLINE STREAMING OF CONFERENCE)
A (Long) Announcement For Music Industry Entrepreneurs
This month, 7 years ago, I was abruptly laid off from my role as VP of Marketing & Strategic Partnerships and General Manager of Music of a half-billion dollar US retail chain. Although the lay-off occured as a result of a company reorganization following an M&A transaction, it still came as a surprise.
That was a pivotal moment in my life as it set off a series of events that began with me founding my first music tech start-up (Maven Promo, formely ChazBo Music) and has continued with me earning a master’s degree in music industry administration; helping dozens of music industry entrepreneurs from around the world develop, launch, or scale their business in the music and digital media industries; entering the world of academia as an educator at some of the top universities on the US West Coast; and selling three companies in the music industry.
Today, 7 years after having my sense of security stripped from under me and 11 years after founding my first music industry business (I owned and operated an artist management company, a music publishing company, and an independent record label while simultaneously leading marketing and music at the US retail chain referenced above), I am humbled and amazed by what I’ve been able to accomplish for myself and for others in such a short period of time.
I’ve been entrepreneurial since I was a youth, but it has been in the last several years that the grunt work and endless sleepless nights have paid off.
I believe in paying it forward. I believe that some of the best lessons are the failures and successes of those who’ve walked the path before you. And I believe that curating these lessons and supplementing them with actionable insights and fundametal principles can help the most dedicated individuals change their outcomes. To this end, I am proud of the work I’ve been able to do in academia and busines coaching.
I have taught courses and masterclasses at UCLA Herb Alpert School of Music, CSUN Music Industry Administration, USC Marshall School of Business, Emerson Los Angeles, SAE Institute, California Luthern University, The Los Angeles Recording School, and College of the Canyons and have given presentations and participated as a speaker at some of the top music industry conferences in the United States such as SXSW Music Conference, Music Biz Expo, Indie Week, ASCAP “I Create Music” Expo and Digital Entertainment World Expo.
In 2017, Billboard recognized my course, “Music Industry Entrepreneurship,” in its list of “The 15 Best Music Business Schools in 2017” and the class continues to rank among the highest rated courses in the Music Industry Program at UCLA Herb Alpert School of Music.
Over the last 5 years, my courses have been exclusively available to students enrolled in the colleges and universities that have commissioned me to develop and teach at their institutions. These students spend tens of thousands of dollars to attend these institutions for access to quality higher education. While I believe that students outside of these institutions and young professionals who aren’t in college shound have access to my courses, even my UCLA Summer Sessions class, which is open to anyone, can still add up to thousands of dollars.
Therefore, in an attempt to share my knowledge and experience with as many interested music industry entrepreneurs as possible, I am excited to announce my limited run “Music Industry Entrepreneurship Masterclass”.
The Music Industry Entrepreneurship Masterclass will be a LIVE 4-hour masterclass taking place at various times on April 27th, 28th and 30th starting at only $199.
I will be posting more details and links to learn more tomorrow, so comment on this announcement to follow and receive notification of the discount link.
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