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Dae Bogan To Lead Seminar “The Art And Business Of Songwriting Collabs”

New technologies and online resources have made it possible for songwriters to find and collaborate with fellow songwriters, musicians, and singers from around the world more efficiently and economically than ever before. The convenient nature of the virtual collaboration and music production ecosystem has contributed to the explosion of independent music made available on digital music services today. Accordingly, the RIAA and IFPI have both reported steady growth in independent music in the last few years.

Now, it’s your turn to get involved in the collab movement! Register to attend this insightful webinar on Thursday, June 20th, where Dae Bogan Music, Head of Third-Party Partnerships at The MLC, and Kevin McCarty, CEO and Co-Founder at We Should Write Sometime, will discuss the art and business of songwriting collabs while highlighting WSWS app features for songwriters and The MLC’s tools and resources for self-administered songwriters.

Save your spot here: https://go.themlc.com/weShouldWriteSometime2024

Dae Bogan to Join Panel On The Future of Music Publishing & AI at Canadian Music Week 2024

I’m coming to Toronto 🇨🇦 for Canadian Music Week June 2-5!!

I am looking forward to speaking on the panel “Harmony & Code: The Future of Music Publishing in the AI Era” on June 3rd at 12 PM. Tap in if you’ll be there!

Harmony & Code: The Future of Music Publishing in the AI Era

Join us for a compelling panel discussion where we explore the transformative impact of technology on the music publishing industry. This session will explore critical questions at the intersection of tech and music: What implications does AI have for the roles of music publishers and artists alike? What tools do artists need to thrive in this new landscape? We’ll examine the future of copyright laws, ponder the necessity of new rights, and debate how technology can coexist with music without exploiting creators. Don’t miss this essential conversation on the evolution of music rights in the digital age, designed for publishers, tech companies, and artists ready to navigate these changes.

Moderated By: Cole Davis Founder & CEO Switchchord

  • Chris Dampier, Head of North America – Sentric Music
  • Dae Bogan, Head of Third-Party Partnerships – The Mechanical Licensing Collective
  • Paul Shaver, President – CMRRA (Canadian Musical Reproduction Rights Agency Ltd) and SX Works
  • Virginie Berger, Chief Business Development and Rights Officer – Matchtune

Learn more at https://cmw.net/

Dae Bogan Takes The MLC’s BeatMix To Puerto Rico

BeatMix is back…and this time we’re coming to Puerto Rico, Miami, and Orlando!

Last year, I collaborated with one of my favorite Latin music industry collaborators, Stephanie Santiago-Rolón, CEO of Elevated Music Industries, to bring The Mechanical Licensing Collective music business workshop into a recording studio in Orlando, Florida.

By taking over recording studios to educate music creators about their rights and entitlements in the U.S., I aim to “meet you where you are!”

Join me next Saturday, March 16th at 6pm in San Juan, Puerto Rico at Artillery Music Studios! RSVP to rsvp@themlc.com

Dae Bogan to Conduct Workshop ‘From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop’

I am thrilled to announce the first of a series of in-person music rights and royalties workshops that I will be conducting in Nashville, Miami, and New York this year:

From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop

🗓️ June 22nd • 4pm-6pm
📍 The Mechanical Licensing Collective in Nashville, TN
🎫 Free with Registration

Description:

“From Beat to Bank: Dissecting the Flow of Digital Music Royalties in Rap and Hip-Hop” is an interactive workshop specifically designed for aspiring Hip-Hop and R&B music creators.

Presented by The MLC and Nashville is Not Just Country Music and led by Dae Bogan, Head of Third-Party Partnerships at The MLC, the workshop will take creators through a crash course demystifying the intricate world of music rights, income entitlements, publishing administration and the distribution of U.S. digital music royalties.

Through a series of individual and group simulations, participants will delve into various facets of the industry including contribution and credit tracking, negotiation of splits, the impact of samples on copyrights and royalties, work registrations and the process of claiming royalty shares.

Participants will gain a deeper understanding and appreciation of how song and recording contributions translate into royalty payments from The MLC and other organizations.

The workshop will take place at The MLC’s office in Nashville on June 22 from 4 p.m. to 6 p.m. CT. Tune in by registering at https://www.eventbrite.com/e/the-mlc-ninjcm-present-from-beat-to-bank-workshop-tickets-637622174087

Happy New Year Songwriters! You’ve Got New Royalties

Happy New Year Songwriters & Music Publishers!

Take note of the new mechanical royalty rates that are now in effect for the use of your songs in the United States:

As of January 1, 2023, royalty rates are as follows:

• Physical / Permeant Download: 12¢ per minute or 2.31¢ per minute or fraction thereof, whichever amount is greater

• Interactive Streaming / Limited Downloads / Locker Services / Other Digital Deliveries: 15.1% of Service Revenue or Total Content Cost Prong Calculation, whichever amount is greater by offering.

As a reminder, if you own the publishing in your songs, you may be eligible to join The Mechanical Licensing Collective to get paid directly 100% of your digital audio mechanical royalties. This is a separate royalty stream, which your PRO (ASCAP / BMI / SESAC) does not collect or pay out. You earn two songwriter royalties when your songs are streamed on Spotify, Apple Music, Tidal, and other digital music services. You earn a performance royalty (ASCAP, BMI, SESAC) and a mechanical royalty (The MLC).

Learn more about The MLC at http://www.themlc.com and join for free today!

About The MLC in 60 Seconds:

DJs, You’re Next

DJs, You’re next! 😊

After 10+ years of building software to help recording artists, songwriters, composers, lyricists, background vocalists, session musicians, independent labels, and music publishers with their music copyrights and royalties; and on the back of helping thousands of the aforementioned administer thousands of copyrights while unlocking tens of millions of dollars in royalties, it’s time to turn my attention to another group of underserved music creators: DJs

There are over 13,000 DJs in the United States and over 56,000 DJs around the world.

There are more DJ/Producers collaborating with independent music creators and influencers than ever before, and DJ/Producers creating new expressions of original music and derivative works for which they often undervalue and underrepresent their own rights and entitlements (that’s if they’re even aware of their entitlements).

I entered the music industry in 2008, while a senior at UCLA, when I formed Renaissance Artist Management (RAM Artist) and began representing DJs, DJ/Producers, and DJ/Remixers. From local up-and-coming DJs to GRAMMY-nominated festival DJs, I’ve had the pleasure of advising, representing, educating, and collaborating with DJs of all walks of life.

Over the past few years, I’ve been privately advising a number of DJ/Producers on their business and careers. From helping to clear samples, to advising remix negotiations, to pitching mix sets to DJ playlists, to web3 experiences (metaverse and NFTs), to setting the music rights administration plan for collaborations on original songs I’ve been having fun guiding and advising a small group of DJ friends.

Now, I’m looking to my next side project: DJ Music Rights

If you’re a DJ/Producer or represent a DJ/Producer, sign up to be the first to know about my forthcoming side project at http://www.djmusicrights.com

Understanding the New United States’ Mechanical Royalty Rates

🚨Attention Music Creators & Indie Music Publishers🚨

Understand the New United States’ Mechanical Royalty 💸 Rates

📱Streaming: 15.1% of DSP revenue
💿Physical: 12 cents per media (e.g. CD, Vinyl)
🎧Downloads: 12 cents per download

Previously, streaming was 10.5% of DSP revenue and physical media and downloads were 9.1 cents.

Looking ahead to 2023, songwriters will see a 32%-44% increase in mechanical royalty income.

It is more important than ever before to make sure that your songs are registered at The Mechanical Licensing Collective.

Check out this explainer video that I helped to create on how song metadata influences your money:
https://youtu.be/BprSCHUAIcw

(Side Note: Before you sign a recording contract, understand how a “controlled composition clause” may reduce your income as a songwriter and how your obligation to pay collaborators the full statutory royalty rates, while you’re being paid less than the full statutory rate, will impact your overall net income as an artist.)